L'avventura 1960

Trumpeter Booker Little's second session as a leader (there would only be four) is a quartet outing (with either Wynton Kelly or Tommy Flanagan on piano, bassist Scott LaFaro and drummer Roy Haynes) that puts the emphasis on relaxed tempoes. Little's immediately recognizable melancholy sound and lyrical style are heard in top form on "Who Can I Turn To" and five of his originals, some of which deserve to be revived. His jazz waltz "The Grand Valse" (inspired by Sonny Rollins' "Valse Hot") is a highpoint of this set.

This two-fer compiles Polly Bergen's All Alone by the Telephone and Four Seasons of Love. It's an economical and convenient way for those who have a limited knowledge of Bergen's music to increase their knowledge and discover what lies beyond the singer's best-known recordings.
All Alone by the Telephone (1959) pairs Polly Bergen with arranger Luther Henderson to create a deeply melancholy song cycle that explores romantic estrangement and isolation from a refreshingly adult perspective. Bergen's dusky, world-weary vocals never resort to histrionics, finding their mode of expression in restraint, not release - her thoughtful interpretations of material like "Glad to Be Unhappy," "Too Late Now," and "By Myself" strip the songs to their core, articulating their themes of loss with hard-fought maturity…

Here is Anita O'Day in excellent vocal form joining forces with Billy May, one of the most prolific arrangers of the Hollywood recording studios in the 50s and 60s. To back her, May led three big-sized groups staffed by top musicians, and provided the swinging, tasteful charts in these two excellent albums dedicated to the songbooks of Cole Porter and Rodgers & Hart. Miss O'Day treats this handful of great evergreen songs in her usual compelling manner and with innate musicianship. She was gifted with a wide vocal range and a level head: that is to say, she sang smoothly without panic or strain at either extreme of her range, and remained consistently impressive in projection, phrasing, and flexibility. There is much to groove within this set and, be it for pop or jazz fans, listening to this great singer is sure to be an incomparable musical pleasure.

Tenor saxophonist Zoot Sims recorded on a regular basis as a leader for most of 45 years, and virtually all of his many sessions are worth acquiring. Sims's Bethlehem date also gives one a look at the great pianist Dave McKenna in his early days, along with bassist George Tucker and drummer Dannie Richmond. Sims mostly explores standards from the swing era (including a rare version of "Bill Bailey") on this enjoyable and consistently swinging set.

The pianist was quite an attraction when he first ventured overseas, and he received plenty of offers to record while he was there. The uncredited combo on these 15 rare tracks is too timid to give Slim what he needed out of a band, but his irrepressible power saves the show.