L.a Wittl

The second recording and first studio set by the L.A. Four matched together Bud Shank on alto and flute, guitarist Laurindo Almeida, bassist Ray Brown, and drummer Shelly Manne for a diverse yet consistently enjoyable program. The selections range from "Dindi" and "Manteca" to "St. Thomas" and a 13-minute exploration of "Concierto de Aranjuez." As usual, the band mixes together bossa nova and Brazilian jazz, some touches of classical music, and cool-toned bop. Recommended as a strong example of the group's appealing sound.

Where L.A. Witch's self-titled album oozed with vibe and atmosphere, with the whole mix draped in reverb, sonically placing the band in some distant realm, broadcast across some unknown chasm of time, Play With Fire comes crashing out of the gate with a bold, brash, in-your-face rocker “Fire Starter.” The authoritative opener is a deliberate mission statement. “Play With Fire is a suggestion to make things happen,” says Sanchez.

The second recording and first studio set by the L.A. Four matched together Bud Shank on alto and flute, guitarist Laurindo Almeida, bassist Ray Brown, and drummer Shelly Manne for a diverse yet consistently enjoyable program. The selections range from "Dindi" and "Manteca" to "St. Thomas" and a 13-minute exploration of "Concierto de Aranjuez." As usual, the band mixes together bossa nova and Brazilian jazz, some touches of classical music, and cool-toned bop. Recommended as a strong example of the group's appealing sound.

Even amidst the already seedy underbelly of the late-'80s L.A. glam metal scene, L.A. Guns were the undisputed bottom-feeders. A ragged collection of outcasts from various other bands (guitarist Tracii Guns was the original "guns" in Guns n' Roses, drummer Steven Riley had recently vacated the stool with shock-kings W.A.S.P., and British vocalist Phil Lewis had done time with London glamsters Girl), they elevated the unrepentant sleaziness and undeniable tackiness of their environment to a new VD-encrusted low. The union of such an unsavory cast of characters could only result in a wildly over-the-top rock & roll album, and while it may not have been as successful as their latest efforts, this eponymous debut rocked with a bile and fury not seen since Mötley Crüe's Shout at the Devil. Sh*t-kicking anthems like "No Mercy," "Sex Action," "One More Reason," and the marvelous "Bitch Is Back" slap the listener silly while still making room for slightly more commercial but equally hot offerings such as "Electric Gypsy" and "Down in the City".

L.A. Guns have announced the release of their latest studio album, "Black Diamonds". Produced by founding member and guitarist Tracii Guns, "Black Diamonds" is a tour-de-force of rock 'n roll that fans have come to expect from the long-running hard rockers. Written and recorded over the course of 2022, "Black Diamonds" sees Tracii Guns, Phil Lewis, and company continuing on the same successful and inspiring sonic journey that they've been taking on their most recent albums, "Checkered Past", "The Devil You Know", and "The Missing Peace". The band doesn't shy away from flexing their hard rock influences as they always have, but also incorporates more introspective acoustic tracks reflective of their classic rock influences from the '70s.

Hollywood badboys L.A. Guns are BACK with the most primal and explosive studio album of their modern era! The Gunners bring back the authentic sounds and style of Hollywood's heyday with a set of all-original material that rocks hard with incredibly hooky songs and memorable riffs! Leopard Skin marks L.A. Guns' fifth studio album since 2017, when guitarist Tracii Guns and singer Phil Lewis reunited and released The Missing Peace. "There's the saying, 'a leopard never changes its spots,'" Guns said in a statement. "But even so, they have a million different spots. And they're all unique. It's the same with L.A. Guns. We can't shed our leopard skin, but there's a lot of different spots in this band."