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Eighteenth century Naples was not only a creative, cultural melting pot, but also one of the most important cities in Europe. Full of impressive contrasts between decay and splendour, and with an immense artistic output whose musical influences stretched across Europe, attracting many musicians and composers, Naples was a source of fascination and has retained its appeal to the current day.

For Bernard Labadie, Le Chemin de Noël is the realization of a great dream inspired by the tradition of the annual Christmas concerts at the Chapel of King’s College in Cambridge, England. Named after the beloved annual concerts that Labadie has conducted in Quebec since 2016, Le Chemin de Noël is the conductor’s deeply personal reflection on the meaning on Christmas.

Constantly in search of eclectic and meaningful programmes, the soprano Anna Prohaska here celebrates ‘life in death’.

Nothing is as it appears in the old English manor house of Bly. A new governess takes up her post and discovers that the children who are her new charges are under the influence of the ghosts of the previous governess and her depraved lover. As one disturbing event unfolds after another, the questions become more pressing: What horrors happened here before her arrival? Are the children innocent? Do we really see what we are seeing?

There are moments in our lives when birth and death intersect and engage in dialogue for a moment. Often, this is done in silence. La Féline decided to go the musical route. Vie Future, the third album by musician and author Agnès Gayraud (she is just about to publish her recent philosophical essay Dialectic of Pop in English (Urbanomic, 2019), is a truly cosmic record. At once deep and airborne, like the musician herself, it is an opus concerned with the cycle of life – that arc in which the cosmos expresses itself in the physical world, and where worries about the present never stand in the way of joy.

Le Destin du Nouveau Siècle (‘The Fate of the New Century’): what a pertinent idea for a libretto for the year 1700! This unknown opera-ballet by Campra, premiered at the College Louis-le-Grand, foreshadowed the century that was opening in France, where Louis XIV had been King for… 57 years!

The »Iguazú« stands for »Big Water« in the native language and flows through southern Brazil before it flows into the Paraná at the border with Argentina. Shortly before the mouth it "says goodbye" with one of the largest waterfalls on earth, in the center of which the Garganta de Diabolo (Devil's Throat) opens up. The Argentinian guitarist (and lutenist) Eduardo Egüez and his international ensemble La Chimera take the diversity of the landscape along the 1,300 km of this river as a model and present South American "classics" from folk to classical, tango, jazz and bossa nova.

As they are currently touring around Europe and recently ended their sold-out US tour, french psycho indie rock band La Femme announces the release of ‘Teatro Lucido’, a new studio album entirely sang in spanish, on November 4th.