La Generation Pod

Seth Brundle (Jeff Goldblum), a brilliant but eccentric scientist, meets Veronica Quaife (Geena Davis), a journalist for Particle magazine, at a meet-the-press event held by Bartok Science Industries, the company that provides funding for Brundle's work. Seth takes Veronica back to the warehouse that serves as both his home and laboratory, and shows her a project that will change the world: a set of "Telepods" that allows instantaneous teleportation of an object from one pod to another.

Seth Brundle (Jeff Goldblum), a brilliant but eccentric scientist, meets Veronica Quaife (Geena Davis), a journalist for Particle magazine, at a meet-the-press event held by Bartok Science Industries, the company that provides funding for Brundle's work. Seth takes Veronica back to the warehouse that serves as both his home and laboratory, and shows her a project that will change the world: a set of "Telepods" that allows instantaneous teleportation of an object from one pod to another.

After a meteor shower in California, Melissa feels that her co-workers and her boss Samantha that work in the agency owned by Vickland are acting differently after receiving a weird plant. She shares her fears with her colleague Billie and with Detective Alexander that are the only persons that she can trust.

A family intervention goes horrifically awry within the snowy confines of an isolated lake house.

A family intervention goes horrifically awry within the snowy confines of an isolated lake house.

Ils sont nés aux alentours de 1997, année où le Royaume-Uni a rétrocédé Hong Kong à la Chine. Depuis cette date et jusqu’en 2047, la République populaire s’est engagée à maintenir les systèmes économique et législatif ainsi que le mode de vie propres à l’île, à travers la politique "un pays, deux systèmes", qui s’applique dans la région administrative spéciale de Hong Kong. Dans ce paysage, une génération de jeunes gens politisés se fait connaître et dénonce l’autoritarisme croissant de Pékin, qui se manifeste, par exemple, par le refus d’accorder le suffrage universel aux Hongkongais, le fait que les candidats au pouvoir exécutif doivent être adoubés – autrement dit, choisis – par le parti communiste chinois ou encore la tentative d’imposer des cours "d’éducation patriotique" aux enfants.

This film is about great Slovenian band Laibach (german word for Ljubljana, Slovenia). It depicts in pure "laibachian" style history of the group according to conditions of Slovenian history and political situation on the beginning of the 80's. This film can be taken as a visual manifesto of retrogardist cultural movement called NSK (Neue slowenische Kunst - New Slovenian Art) presented here by Laibach.
NSK is dealing with totalitarian principles of creating visual or performing art, but in these Slovenian guys living on the edge of germanic and slavonic cultures use a lot of humour, which can sometimes look little bit inappropriate, but really work.

Dusha is a young dancer and dance instructor. Torn between a dominant mother, an absent father and a married lover, she is sinking into a typical crisis of the thirties, which gets worse when she starts suspecting that someone has been following her and invading her privacy. She grows increasingly lonesome and exhausted. Even more so, as she realizes that her relationship with her married lover has no future. He only shows up every now and then, and his affections seem less sincere. Dusha becomes so lonesome and low-spirited, that she develops a habit of confiding in an anonymous but kind and rather interesting astrologer, who runs a commercial line. Eventually, Dusha matures and makes a decision - she leaves her negligent lover, even though she is carrying his baby.