Cette encyclopédie de la vie sexuelle est réalisée à destination des familles comme de l'école. Le 1er volume s'adresse aux jeunes de 7 à 9 ans et aborde principalement, par le biais des illustrations la conception d'un enfant, la grossesse, l'accouchement et la naissance du bébé, et la puberté. La dimension affective est présente, mais dans le cadre d'un couple hétérosexuel. L'homosexualité n'est pas abordée, et le discours s'intéresse plus à la procréation qu'à la sexualité proprement dite, à l'instar des manuels scolaires de l'époque. …
"La nation qui n'allait pas de soi" traverse l'histoire du Québec, de la Conquête à nos jours, s'attachant à montrer, notamment sous la plume de ses grands historiens, politiciens et intellectuels, la présence et l'influence de ce que l'auteur appelle la mythologie politique de la vulnérabilité. …
"A La Luna" presents the delicate, naive yet deep sound of Woo across a long form album that invites you on a curious journey of discovery. With a melodic instinct bordering on exotica, and unique range of instruments in the sound palette and a dreamlike approach to processing, there's nothing out there that sounds quite like Woo, and as ever it's a joy to delve into their sound world and leave more earthly familiarities behind.
Great thriller soundtracks back to back on one CD – the soundtracks for both French Connection films, both handled by funky jazzman Don Ellis – plus the even rarer score for the later Popeye Doyle film, by Brad Fiedel – packaged here with other rare bonus tracks too! The music by Don Ellis is really incredible – a real cut above other 70s cop and action soundtracks, with a dark edge that shows that Ellis had been listening to some of the hipper European soundtrack composers of the time, but was still also cool enough to kick in with a badass kind of groove whenever he could! The instrumentation on the tunes is very odd – familiar, yet askew – as trumpet, guitar, and keyboard bits come off with some very weird effects. The sound of Popeye Doyle is a bit different – given that the film was an 80s TV addition to the French Connection narrative – with Ed O'Neil in the lead role that was previously handled by Gene Hackman. But Brad Fiedel's score is still pretty nice – definitely more 80s in its instrumentation, but handled with a mode that echoes the Ellis years, with the flavor of a decade later. This 2CD package has way more material than the previous issue – with a total of 48 tracks from the first two films – and 29 more from Popeye Doyle – a whopping 77 tracks in all, with some great notes too!