It is appropriate that the first recording of the first version of Forza should come from St Petersburg, where the work had its premiere in 1862. However, whilst the premiere was predominantly an Italian affair, this set is given entirely by Russian artists. The differences between this version and Verdi's 1869 revision for La Scala are marked: they are delineated by two essays in the accompanying booklet but even more discerningly in Julian Budden's indispensable The Operas of Verdi (in this case Vol. 2, Cassell: 1978). So it isn't necessary for me to rehearse here all the changes (even if I had the space to do so), only the main ones.
Verdi's "La Forza del Destino" is a story of forbidden love, seduction, jealousy, honor and revenge. The opera was composed in 1862 and had its premiere in St. Petersburg. In this recording from 1976 with star cast (Leontyne Price in the role of Donna Leonora, Plácido Domingo as Don Alvaro and Sherrill Milnes as Don Carlo) under the direction of James Levine the beauty and attention to detail Verdi comes out particularly well. The London Symphony Orchestra and the John Alldis Choir provide the perfect musical accompaniment for the ensemble, which includes Fiorenza Cossotto, Bonaldo Giaiotti and Gabriel Bacquier. This recording is considered one of the best of Verdi's La Forza del Destino.
Maria Callas s talent as one of the world s greatest singing actresses remains unchallenged to this day and she has acquired legendary status as one of the most iconic figures in the world of classical music. There are very few films of Callas on stage, so it is through the medium of her audio recordings that her art lives on. She recorded exclusively for EMI for most of her career, and these six CDs present a fully representative sampling of her recorded legacy on EMI.
A collaboration between Edgar Fruitier, classical music expert and collector, Cardinal Jean-Claude Turcotte and Cardinal Marc Ouellet, this 6 CD collection of sacred music is a classical's music lover's dream.