La Orca Пленница (1976)

Quadrillage des quartiers populaires, vidéosurveillance omniprésente, contrôle accru des communications et des déplacements, chasse aux marginaux et aux sans-papiers, inflation des gardes à vue et des incarcérations, alourdissement des peines, généralisation des mesures de sûreté : nous sommes entrés dans un processus révolutionnaire de radicalisation du contrôle social et de mutation du droit pénal. …

Iceberg from the middle of the 70's were easily one of the best Progressive bands to come from Spain. This band came from Barcelona and consisted of: Max Sune (guitar), Josep Mas Kitflus (keyboards), Primi Sancho (bass) and Jordi Colomer (drums), Angel Riba (voice) could only be heard on the first record. Their style was definitely jazzier but with continuous conversations between the guitars and keyboards in a mixture of fusion and symphonic sounds. The band mixed Return to Forever or The Mahavishnu Orchestra's crazy and energetic music and Santana's more latin one. Iceberg made four studio-albums entitled: "Tutankhamon" (1975), "Coses Nostres" (1976), "Sentiments" (1977) and "Arc-en-Ciel" (1979).

La Düsseldorf is Klaus Dinger's side project after the scission of Neu! in 1975. In this musical adventure, Dinger is accompanied by Thomas Dinger and Hans Lampe who also participated to the recording of the third and last Neu! The self titled album "La Dusseldorf" was released in 1976, venturing from avant-garde for concrete noises, manipulated sounds, pre-punk atmospheres. This album has a total disregard for musical convention, the musicians don't hesitate to mix without restriction a bunch of sounds taken from a great variety of musical styles (with pop accents, motoric "electronic" pulses, krautrock weird instrumentals and punk's eccentricity). After this original and diverse collection of experiments, the band recorded their second "Viva" in 1978…

Snakes & Ladders is a fine 12-song overview of the Faces, containing some of the group's best songs ("Had Me a Real Good Time," "Stay With Me," "Miss Judy's Farm," "Sweet Lady Mary," "Ooh La La," "Cindy Incidentally"), along with a couple of mediocre cuts ("Pineapple and the Monkey," "Flying") and the unremarkable, single-only "Pool Hall Richard." Though it gives a sense of what made the Faces a great rock & roll band, it falls far short of being a definitive retrospective or introduction…

Now and then in the ‘70s, in Spain were made great epos-like musical-concepts (Luis Llach did some great albums). Also Daniel Vega’s album is such an album, with a bit of impressive spoken word on the introduction, jazzy rock improvisations with electric piano, with a fundament often laid by acoustic guitar, with a few parts of impressive acoustic guitar layers on top of each other, flute, with some wah-wah and amplified guitar, saxes, and very emotionally sung songs by Daniel Vega. The style is progressive song driven music with rhythmically and emotionally driven musical evolutions, in a very progressive way.

Albert Marcœur is a French composer, singer and songwriter. He began his career in the early 1970s. His body of work mixes melodic, rhythmic and sonic experimentations with fancy nursery rhymes, humorous and offbeat lyrics. In France he has been called "the French Frank Zappa". Albert Marcœur, French multi-instrumentalist/composer, was born on December 12 1947, in Dijon, France. During his formal education of clarinet at the National Academy of Music and Dance of Dijon, Marcoeur actively participated in many straightforward college rock 'n roll bands. Closing an end to his formal training Marcoeur's musical visions had gravitated towards the experimental facets of music, wishing "to do nothing else but make my own music".

A new 2-CD/1-Blu-ray Audio deluxe edition that includes the original studio album, ten previously unreleased live recordings, as well as hi-res and 5.1 mixes. Presented in an 11 x 11 hardbound book, the set also features rare and unseen photos from the era, a replica tour book, and three stand-alone posters…