Lado O Rappa

Reissued edition of Type O Negative seventh studio album including a bonus CD with ten live tracks celebrating the 15th anniversary of the album.
Before Type O Negative, there was really no such thing as goth metal. And the group that hails from the bowels of Brooklyn (not Transylvania, as some assume) is still at it, on their sixth studio album overall - and first for the SPV label - 2007's Dead Again. Unbelievably heavy sludge riffs are still a main ingredient, as well as singer Pete Steele's ongoing "Kill me, I'm in agony" lyrics, and vocals that sometimes sound quite Bela Lugosi-esque. The album-opening title track may very well be the most melodic song the band has ever recorded, but the Type O we all know and love is lurking right around the bend…

Christopher O’Riley’s THE WELL-TEMPERED CLAVIER BOOK I delves into the subtle intricacies of Bach’s famous masterwork, revealing the composer’s nuanced craftsmanship through an exploration of the spaces between notes. Inspired by Bach’s profound lyricism and informed by historical insights, O’Riley’s interpretation transcends conventional keyboard traditions. Embracing the expressive potential of articulation and texture, he illuminates counterpoint with dynamic contrast, unveiling hidden dialogues within Bach’s compositions. Through meticulous attention to intonation and rhythmic flexibility, O’Riley uncovers layers of meaning, echoing the Japanese concept of “Ma” — the significance of space and silence. This album invites listeners to immerse themselves in Bach’s universe, where every pause resonates with depth and possibility.

This is a live recording of Anita O'Day in her mature stage, where you can enjoy her favorite standard numbers. The ending song, "Tea for Two," a recreation of the movie "A Midsummer Night's Dream," is a must-listen.

Christopher O’Riley’s THE WELL-TEMPERED CLAVIER BOOK I delves into the subtle intricacies of Bach’s famous masterwork, revealing the composer’s nuanced craftsmanship through an exploration of the spaces between notes. Inspired by Bach’s profound lyricism and informed by historical insights, O’Riley’s interpretation transcends conventional keyboard traditions. Embracing the expressive potential of articulation and texture, he illuminates counterpoint with dynamic contrast, unveiling hidden dialogues within Bach’s compositions. Through meticulous attention to intonation and rhythmic flexibility, O’Riley uncovers layers of meaning, echoing the Japanese concept of “Ma” — the significance of space and silence. This album invites listeners to immerse themselves in Bach’s universe, where every pause resonates with depth and possibility.

Himself is Irish-English singer-songwriter Gilbert O'Sullivan's debut album, originally released in August 1971. Union Square Music re-released it 2011 on Salvo label in part of the Gilbert O'Sullivan - A Singer & His Songs collection. In 1972, MAM/London saw fit to let the U.S. have its first proper Gilbert O'Sullivan record, a repackaging of his 1971 U.K. debut release, Himself. The repackaging included new cover art (with Gilbert sporting the first of his famous "G" emblazoned varsity sweaters) as well as an altered track listing. "Susan Van Heusen" and "Doing the Best I Can," from the U.K. release, were omitted in favor of "We Will" and his Number One, U.S. smash "Alone Again (Naturally)."