Inspired by the image of a violin melody ‘flying off’, Chinese-American composer Bright Sheng’s virtuosic three-movement concerto Let Fly interweaves Chinese and Western classical elements. Vivid legends of astrological animals inform Zodiac Tales, a tour de force concerto for orchestra. Reflecting the city of Suzhou’s ancient, continuous cultural heritage, traditional nostalgia fuses with contemporary rhythms in the exciting Suzhou Overture. These works are featured here in their world premiere recordings.
Bach showed that the cello can dance, but composers from Rossini to Shostakovich have favored it as an instrument of pensive reflection and brooding melancholy. The playful cover photo notwithstanding, SOLO features Yo-Yo Ma in five 20th century cello works of a serious nature, all with folk influence and all echoing at least a bit of the troubles of the times in which they were written.
While we associate Tchaikovsky with music of virtuoso power and difficulty, sweeping up audiences with the fire of the Violin Concerto and First Piano Concerto, he also applied himself to music for the ever-growing market of amateur music-makers during his lifetime. Like many other great composers, he knew how to write for musicians of moderate ability without compromising or simplifying the individuality of his voice as a composer.