Larry Bassham

The two guitar icons Larry Coryell and Philip Catherine have a long history and a close musical affinity, despite their different influences on this and the other side of the Atlantic. Recorded on January 27, 2017 as part of the "Jazz at Berlin Philharmonic" series, "The Last Call" is the last recording of Larry Coryell, who passed away four weeks later on February 19, 2017. And an echo of a very special relationship between two very great guitarists, full of creative compatibility, enthusiasm and deep mutual understanding.

Some of jazz' finest musicians join guitarist Larry Carlton on Deep Into It, his second CD as a leader for the Warner Bros. Jazz label. Carlton wrote six new songs for this offering, and covers such songs as "Put It Where You Want It," written by Joe Sample, and the Stevie Winwood hit "Roll With It." Accompanying musicians are Chris Potter on saxophone and Billy Kilson on drums, both known primarily for their work with the Dave Holland Quintet; Harvey Mason, who holds down the rhythm logic on "I Still Believe"; and smooth jazz phenom Kirk Whalum, who turns in a great solo on the title track, on tenor saxophone. The two tenor saxophonists are highly capable in different approaches, and Carlton makes good use of both Potter and Whalum throughout the program. R&B hitmaker Shai lends his soulful vocals to "I Can't Tell You Why," and truly gives the Eagles' mega-hit a fresh interpretation with his one-of-a-kind artistry.

GDigitally remastered and expanded edition of this legendary 1967 collaboration from Rock 'N' Roll and R&B pioneer Larry Williams and Johnny Guitar Watson, who took his R&B roots into pimp-friendly Funk in the '70s. The album is a Northern Soul classic with three bonafide stompers in the title track, the legendary 'Too Late' and 'A Quitter Never Wins'. Also features the even rarer 45 'Nobody', which the duo recorded with US Psychedelic outfit Kaleidoscope. The package is expanded even more with six tracks from Watson's OKeh album the Fantastic Piano And Guitar of Johnny Watson - BAD! And two tracks from the OKeh album in a Fats Bag - the Johnny Guitar Watson Trio Plays Fats Waller.

Larry Young - The Complete Blue Note Recordings Of Larry Young (1964-69) [6CD BoxSet] {1991 Mosaic Remaster}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 2.20 Gb | MP3 @320 -> 865 Mb
Artwork @ 300 dpi (jpg) -> 31 Mb | 5% repair rar
© 1964-69, 1991 Mosaic Records / Blue Note | MD6-137
Jazz / Soul Jazz / Hard Bop / Hammond B-3

Larry Young, one of the most significant jazz organists to emerge after the rise of Jimmy Smith, is heard on this limited-edition six-CD set at the peak of his creativity. Formerly available as nine LPs, the set includes the original Larry Young albums Into Somethin', Unity, Of Love and Peace, Contrasts, Heaven on Earth, and Mother Ship, while drawing from the compilations 40 Years of Jazz, The History of Blue Note (Dutch), The World of Jazz Organ (Japanese), and The Blue Note 50th Anniversary Collection Volume Two: The Jazz Message, and also including guitarist Grant Green's Talkin' About, Street of Dreams, and I Want to Hold Your Hand.

Larry Coryells Last Swing With Ireland contains guitarist Larry Coryell’s final studio outing recorded in Dublin during May 2016. Coryell was in town working at The Sugar Club with his hand-picked local rhythm section of Dave Redmond (bass) and Kevin Brady (drums). Incidentally, Angel Air promise a release of a live performance at the club by the trio sometime later this year.

By the time Larry Carlton recorded Friends, his status as a guitar legend had already been established. In addition to being admired by musicians, he was also loved by Muzak programmers. His blend of happy pop-jazz was the perfect background music for dentist offices. For those who care to listen closer, there is some excellent guitar work being performed. A good example of this would be his creative improvisation on the introduction to "South Town." His duet with B.B. King on "Blues for TJ" is wonderful. It is refreshing to hear two players who are more interested in sharing ideas than showing off. The scat version of "Tequila," courtesy of Al Jarreau, was also interesting. As with most Carlton recordings, there is something here for just about everyone; there's just not enough of it.