Las Habitaciones Rojas

In Daniel Burman's Family Law, Perelman Jr., like his father before him, is an attorney. But rather than live in his father's shadow, Perelman Jr. chooses to work as a teacher in a law school. His life is good, if somewhat dull. Things change for the better when he pursues a beautiful former student, a pilates instructor named Sandra, and they have a son together. When his office is unexpectedly closed for several weeks, he doesn't tell Sandra, instead making visits to his son at school and his father at work. As his father begins to reach out to him with subtle urgency, he's forced to question his roles as father, son, and husband, and to contemplate what lies ahead.

Perelman es un joven abogado que todavía no sabe muy bien quién va a ser cuando sea grande. En la búsqueda por definir su identidad, acepta, aunque con cierta aprensión, lo ya heredado, lo inmodificable, lo que él ya es. Pero lo que le cuesta hacer, y mucho, es la otra parte: continuar construyendo su identidad precisamente a partir de lo que se puede cambiar, de aquello que pueda diferenciarlo de su padre, de lo que hay por descubrir.

In a wooded suburb, as an early winter storm descends on Connecticut casting over Thanksgiving a shroud of impending doom, affluent adults stir restlessly in their split-level homes, depressed not only by their lives but by their entertainments, and even by their sins. Their teenage children have started experimenting with the same forms of escape: booze, pot and sex.

Noviembre de 1973, New Cannan, Connecticut. La liberación sexual tan de moda ha llegado a los suburbios y a ha salpicado a las acomodadas y tradicionales familias americanas -que de pronto se aficionan al intercambio de parejas-. Esta corriente liberadora afecta a la familia Hood, que se está descontrolando. Ben Hood pretende acostarse con su amante, la vecina de enfrente Janey Carver, y la esposa de Ben empieza a estar harta de las mentiras de su marido. En la noche de acción de gracias, se producen acontecimientos irreverentes, cómicos y trágicos, llevando a los Hood a enfrentarse cara a cara.

This four-part documentary series follows the diverse US sex industry, starting in Portland, then travelling to Las Vegas, San Francisco and New York.

Phil (Bradley Cooper), Stu (Ed Helms), Alan (Zach Galifianakis) e Doug (Justin Bartha) viaggiano verso l'esotica Thailandia per il matrimonio di Stu. Con ancora il ricordo fresco della disastrosa festa di addio al celibato di Doug a Las Vegas- e con le prove tangibili di questa festa - Stu non vuole correre alcun rischio.

The Hangover is a trilogy of American comedy films created by Jon Lucas and Scott Moore, and directed by Todd Phillips. All three films follow the misadventures of a quartet of friends (also known as "the Wolfpack") who go on their road trip to attend a bachelor party. While all of the films finds three of the four men on a mission to find their missing friend, the first two films focus on the events following a night of debauchery before a party in Las Vegas and Bangkok; whereas the third and final film involves a road trip and a kidnapping in lieu of a bachelor party. Each film in the series focus on how the friends deal with the aftermath of their antics while they are being humiliated and occasionally physically beaten up at every turn.