…Thanks to the unprocessed and fully natural audio signal, all of the nuances of Schleiermacher's touch are captured, yet there is also a slight background sound that apparently comes from the performance space, not from any defect in the all-digital recording. Listeners may find that this is only a mild distraction and easy to get past once the music takes hold. This important series is recommended for all Feldman aficionados and anyone interested in the sublime expressions of his late period.
Here's a set of the best of Mozart's symphonies performed by the well-respected Vienna Philharmonic under Leonard Bernstein. These are reissues of recordings made in the 1980s, and although half were done in the studio and half were live, there is really no significant difference in sound.
These six works are Beethoven's last major completed compositions. Extremely complex and largely misunderstood by musicians and audiences of Beethoven's day, the late quartets are now widely considered to be among the greatest musical compositions of all time and have inspired many later composers.
John Entwistle's solo career has never been particularly outstanding in terms of songwriting quality. His complicated, yet rhythmic bass playing has always shone through, however.
Barry Levenson returns in 2011 with a brand spankin’ new record, The Late Show. The Late Show is a high modernist masterpiece and the only question that remains is…does blues guitar have anything else to say after this?
"Purely from a historical performance viewpoint, there is much of interest here: Staier plays on an 1825 Johann Fritz four-pedalled fortepiano. (…) Very much a disc worth hearing, then, and one that will surely complement some treasured modern instrument performances of these works." ~musicweb-international
Magnificat delivers once again; ‘Where late the sweet birds sang’ is a gorgeous contrapuntal choral collection of works by three of the leading Elizabethan composers, featuring some of the repertoire’s best singers. Since the time of Byrd Westminster and Winchester Cathedrals have been renowned as two of England’s finest choral cathedrals. The choristers on this recording, from Westminster and Winchester, maintain that lineage, their voices blending seamlessly and naturally.
Maretimo Records presents Maretimo Late Night Grooves Vol. 4. Enjoy the magic sound of the night. Smooth jazz & cosmopolitan lounge sounds selected by DJ Michael Maretimo.
When Van Morrison's double-length It's Too Late to Stop Now was released in 1974, it was an anomaly. Compiled from eight nights on his 1973 tour with his 11-piece Caledonia Soul Orchestra, it appeared months prior to Hard Nose the Highway. Contrary to standard industry practice of the time, its contents weren't doctored in the studio afterwards: There were no added overdubs or masked flubs. Some critics took issue with its sound – claiming the band, particularly the horns, were too thin – but there was no debate about the performances. It remains revered as one of the greatest concert recordings ever.