Lauren O’conner From Hot Pink

In 1995, Yo-Yo Ma, Edgar Meyer, and Mark O'Connor joined forces on Appalachia Waltz, the first of a series of Sony Classical albums celebrating the varied musical textures of Americana. Over the course of six years, several albums were cut, among them Short Trip Home, Liberty!, Uncommon Ritual, and Midnight on the Water, in addition to the Grammy-winning Appalachia Waltz. Each project may have had its own specific instrumental focus, although the shared theme was clearly to obfuscate the genre lines that separate classical and traditional American music on a 200-year journey from the concert halls of Britain to the Shenandoah Valley.

Mark O'Connor's second CD with his Hot Swing Trio is more than just a salute to the late, legendary jazz violinist Stephane Grappelli; it firmly establishes as him as a bona fide jazz violin virtuoso, thanks to being distributed by a major label this time around. The capable guitarist Frank Vignola plays gypsy swing à la Django Reinhardt without sounding like a clone; bassist Jon Burr, who spent a decade as a member of Grappelli's rhythm section in his last years, provides a perfect match for his two bandmates. Each member of the trio contributed originals to the session. O'Connor's "In Full Swing" is absolutely breathtaking, while it is fun imagining how Grappelli and Reinhardt might have interpreted his enticing "Stephane and Django"…

Pink isn't a color usually associated with blues but That Hot Pink Blues Album doesn't have a sound usually associated with Keb' Mo'. Sure, there are elements of the acoustic slide guitar that has been his signature since his 1994 debut, but the live album emphasizes his softer, soulful side, sometimes pairing the bluesman with sympathetic strings. In this respect, That Hot Pink Blues Album feels like a cousin to the mellow 2011 set The Reflection, but these 16 songs were cut on the 2015 supporting tour for 2014's BLUESAmericana, a record that was designed to touch on as many different American roots sounds as possible. Compared to that, That Hot Pink Blues Album is a little more streamlined, containing a dual focus on mellow grooves and sensitive reflections. He's attempted this in the studio, but his interpretations breathe and sigh on-stage, which is what makes That Hot Pink Blues Album warm and enveloping in a way few other Keb' Mo' records are.

In celebration of the 50th Anniversary of The Band’s landmark debut album, Music From Big Pink is released in a limited edition of two pink vinyl LPs that feature a new stereo mix of the album, produced by Bob Clearmountain from the original four-track analog master…

None of the Band's previous work gave much of a clue about how they would sound when they released their first album in July 1968. As it was, Music from Big Pink came as a surprise. At first blush, the group seemed to affect the sound of a loose jam session, alternating emphasis on different instruments, while the lead and harmony vocals passed back and forth as if the singers were making up their blend on the spot. In retrospect, especially as the lyrics sank in, the arrangements seemed far more considered and crafted to support a group of songs that took family, faith, and rural life as their subjects and proceeded to imbue their values with uncertainty. Some songs took on the theme of declining institutions less clearly than others, but the points were made musically as much as lyrically…