My Savior is the upcoming eighth studio album and first gospel album by American singer Carrie Underwood. It will be released on March 26, 2021, through Capitol Records Nashville. The album will feature thirteen tracks, with production from Underwood and David Garcia, who co-produced Underwood's sixth studio album, Cry Pretty.
Carrie Rodriguez is a Texan singer-songwriter and violinist whose repertoire includes country, folk and rock, but is at her best when she explores her Mexican roots. Her great aunt Eva Garza, a Spanish-language singing star in the 1940s, inspired Rodriguez to “create my own blend of Tex-Mex music”. It’s a mix of classic Mexican songs, many slow and unashamedly emotional, and her own compositions, which are often in the ranchera tradition. The opener, Perfidia, shows how well Rodriguez has succeeded. She revives this tuneful, well-worn song of betrayal with pained, attacking vocals, helped by strong harmony work by Raul Malo and glorious twanging guitar by the great Bill Frisell. Elsewhere, there’s a powerful treatment of the 30s love song Noche de Ronda. Rodriguez’s compositions have a dash of country-blues and include a tribute to the ranchera star Lola Beltrán. This is a fresh, confident set.
French composer Fernande Breilh-Decruck showed signs of a promising career from an early age, when she won several prizes at the Conservatoire National Supérieur de Paris (harmony, fugue, piano). As an assistant professor of harmony, she trained many students, including one who became very famous and later dedicated her a score: “To Fernande Decruck, with all the gratitude and fond memories of the author – Olivier Messiaen”.
French star tenor Benjamin Bernheim announces his first solo song album Douce France: Mélodies & Chansons. Inspired by his long study and experience of French song, Bernheim imaginatively couples the famous 19th-century melodies of Berlioz, Chausson and Duparc with the classic 20th-century chansons by Brel, Kosma and Trenet. While some of these cycles are nowadays associated with the female voice accompanied by orchestra, the tenor was determined to return to the deep intimacy that a keyboard accompaniment can conjure. Bernheim’s regular duo partner, pianist Carrie-Ann Matheson, transcribed the relevant orchestral scores into the more idiomatic versions heard on this album.
French star tenor Benjamin Bernheim announces his first solo song album Douce France: Mélodies & Chansons. Inspired by his long study and experience of French song, Bernheim imaginatively couples the famous 19th-century melodies of Berlioz, Chausson and Duparc with the classic 20th-century chansons by Brel, Kosma and Trenet. While some of these cycles are nowadays associated with the female voice accompanied by orchestra, the tenor was determined to return to the deep intimacy that a keyboard accompaniment can conjure. Bernheim’s regular duo partner, pianist Carrie-Ann Matheson, transcribed the relevant orchestral scores into the more idiomatic versions heard on this album.