A live double album from the groups tours undertaken between 1975 and 1977 that wasn't released until 1986, this spectacular concert album features this premier Italian prog band performing at their very peak to an enthusiastic audience in, amongst other places, Milan, Parma and Bologna. Those familiar with the group will, at a glance, see a series of classic Le Orme tracks filling the set-list, whilst brief, and welcome interpretations of Jethro Tull and Led Zeppelin tracks also feature. The sound is raw but powerful, and despite the occasional sonic glitch this highly-anticipated release - which, originally was only available in either Japan or Italy - still stands up as a fine double-album that should be well-and-truly lapped up by both fans of the group and Italian progressive rock aficianado's…
A live double album from the groups tours undertaken between 1975 and 1977 that wasn't released until 1986, this spectacular concert album features this premier Italian prog band performing at their very peak to an enthusiastic audience in, amongst other places, Milan, Parma and Bologna. Those familiar with the group will, at a glance, see a series of classic Le Orme tracks filling the set-list, whilst brief, and welcome interpretations of Jethro Tull and Led Zeppelin tracks also feature. The sound is raw but powerful, and despite the occasional sonic glitch this highly-anticipated release - which, originally was only available in either Japan or Italy - still stands up as a fine double-album that should be well-and-truly lapped up by both fans of the group and Italian progressive rock aficianado's…
Le Orme is probably the best expression of progressive rock in Italy, over PFM, Banco and others. This set have pro and cons. The quality of the remasters were made by the work of Maurizio Bancani and Federici Filippo very splendid in did…
Le Orme is probably the best expression of progressive rock in Italy, over PFM, Banco and others. This set have pro and cons. The quality of the remasters were made by the work of Maurizio Bancani and Federici Filippo very splendid in did…
L'infinito is the final installment of the trilogy that Le Orme began with Il Fiume. In terms of style, it closely mimics Elementi, including the Satriani style guitar early on and the sitar around the middle. In terms of quality, it's perhaps half a notch below Elementi, but still a pretty good album. Aldo Tagliapietra makes a thematic return to Indian spirituality, with tracks like "Shanti" and a roadsign on the cover with an OM symbol on it. Incidentally, the Paul Whitehead cover is again moderately clever, but this time more visually appealing to me…
At first listen, this seems a more experimental, obtuse follow-up to the lauded 'Felona E Sorona' album. After becoming more familiar with it, I can only figure it's due to the lack of cohesiveness between tracks. 'Felona E Sorona' had a certain flow because, not only was it a concept album, it was an especially well-written one. 'Contrappunti' simply seems like an unrelated series of songs, and it's not to be faulted for that, because what you get here are some of Le Orme's mightiest compositions…
Excellent early-70's Italian progressive trio (still around today) with classical stylings, featuring keyboards to the fore and a unique dreamy/powerful style. Le Orme was one of the three major Italian groups, the other two being PFM and Banco. This band is usually considered as the Italian Emerson, Lake & Palmer and even Banco del Mutuo Soccorso by the Italian singing. Its music is based upon organ developments and soli reminding Seventies groups which works are essentially built upon keyboards parts.
The band's truly classic period begins with their third next releases. "Uomo Di Pezza" (1972) is one of Le Orme's definitive Italian progressive rock albums…
While earlier albums show LE ORME's masterity in composing great Symphonic Prog pieces for ELP-like trio, they never fall into bombastic category - LE ORME are Italians and they care for MELODIES first!!! This one is pure brilliance - melodies and emotions. No bombastic keyboards at all - acoustic guitars, violas and pianos…