Le Point 20 Mai 2021

The Torino Ms J.II.9 codex, kept in the National University Library of Turin, is a sumptuous manuscript consisting of 159 sheets, each measuring 377x270 mm. We may safely assume that the person responsible for putting together the musical works of this codex was a Frenchman resident at the Court of the Lusignan family long enough for the codex to be completed; the period in question must have been sometime between 1413 and 1430 CE.

The Torino Ms J.II.9 codex, kept in the National University Library of Turin, is a sumptuous manuscript consisting of 159 sheets, each measuring 377x270 mm. We may safely assume that the person responsible for putting together the musical works of this codex was a Frenchman resident at the Court of the Lusignan family long enough for the codex to be completed; the period in question must have been sometime between 1413 and 1430 CE.

The Torino Ms J.II.9 codex, kept in the National University Library of Turin, is a sumptuous manuscript consisting of 159 sheets, each measuring 377x270 mm. We may safely assume that the person responsible for putting together the musical works of this codex was a Frenchman resident at the Court of the Lusignan family long enough for the codex to be completed; the period in question must have been sometime between 1413 and 1430 CE.

The Torino Ms J.II.9 codex, kept in the National University Library of Turin, is a sumptuous manuscript consisting of 159 sheets, each measuring 377x270 mm. We may safely assume that the person responsible for putting together the musical works of this codex was a Frenchman resident at the Court of the Lusignan family long enough for the codex to be completed; the period in question must have been sometime between 1413 and 1430 CE.

The Torino Ms J.II.9 codex, kept in the National University Library of Turin, is a sumptuous manuscript consisting of 159 sheets, each measuring 377x270 mm. We may safely assume that the person responsible for putting together the musical works of this codex was a Frenchman resident at the Court of the Lusignan family long enough for the codex to be completed; the period in question must have been sometime between 1413 and 1430 CE.

Il matrimonio segreto is the only opera that has ever had the honor of being repeated in full at its premiere, so very much did the comical musical goings-on please its distinguished audience. On the occasion of the fortieth anniversary of the Innsbruck Early Music Festival Weeks, the conductor Alessandro De Marchi again at long last led a performance of Cimarosa’s most popular opera in historical performance practice and in original sound.

Fondée sur un an d'enquête et de rencontres de Paris au Havre et de Bonn à Dubaï ainsi que sur des entretiens avec l'actuel maire du Havre, cette biographie retrace le parcours de l'ancien Premier ministre Edouard Philippe, énarque à la fois homme politique, lobbyiste, avocat et romancier. …

Since (at least) the Greeks, humorists, moralists and satirists have been fascinated by the artistic game of inversion, of “the world turned upside down”, which is how one might translate the title of this largely forgotten opera by Salieri. It here gets its first ever recording. Present an image of society turned on its head and you enable your audience/reader/viewer to see the actual way of things in a whole new light. Your aims may be to expose the follies and errors of the actual, to propose a better way of doing things, or simply to get some laughs from the resulting improbabilities and surprises - or, of course, a mixture of all these motives and more.