Le Trisomie 21

Sébastien Marq, Le Concert Français, Pierre Hantaï - Georg Philip Telemann: "Essercizii Musici" Trios, Solos, Fantaisies (1995)

Sébastien Marq, Le Concert Français, Pierre Hantaï - Georg Philipp Telemann: "Essercizii Musici" Trios, Solos, Fantaisies (1995)
EAC | FLAC | Image (Cue & Log) ~ 359 Mb | Total time: 70:04 | Scans included
Classical | Label: Astrée Auvidis | E 8684 | Recorded: 1994

Un rayon de soleil traverse l’azur du petit matin et réchauffe le cœur d’une douce caresse… Dès le premier mouvement (largo) du Trio en la Majeur, Sébastien Marq expose son jeu doux et velouté, léger et transcendant. Et l’on s’émerveille, béat, devant la beauté du son, la justesse des sentiments, et ce toucher si délicat qui vous berce et vous emmène dans un jardin d’Eden. Le voyage s’achève sur quatre mêmes notes, plus suaves et doucereuses que les précédentes.
Jordi Savall, Le Concert des Nations - Johann Sebastian Bach: Weihnachts-Oratorium (2020)

Jordi Savall, Le Concert des Nations - Johann Sebastian Bach: Weihnachts-Oratorium (2020)
EAC | FLAC | Image (Cue & Log) ~ 844 Mb | Total time: 02:23:53 | Scans included
Classical | Label: Alia Vox | # AVSA9940 | Recorded: 2019

Johann Sebastian Bach composed six cantatas for the Christmas holidays in 1734, to have one performed for each particular holiday during services in the main churches of Leipzig, St. Thomas and St. Nicholas. Both the narrative march of the Gospel and the tonality in which the musical framework was composed, give the cantatas a character of an autonomous cycle that Jordi Savall and his groups face for the first time.
Jordi Savall & Le Concert des Nations - Gluck: Don Juan - Semiramis (2022)

Jordi Savall & Le Concert des Nations - Gluck: Don Juan - Semiramis (2022)
EAC Rip | FLAC (tracks+log+.cue) | 01:05:20 | 331 Mb
Classical | Label: Alia Vox

As early as 1761, a year before his masterpiece Orfeo ed Euridice, Gluck largely renewed another musical genre, the ballet, with his adaptation of a work by Molière for Viennese audiences: Don Juan. Another work, Sémiramis, followed a year later. These two works are innovative in that they offer, for the first time, a coherent narrative in which all the resources of the orchestra are put at the service of expressiveness. Jordi Savall and Le Concert des Nations bring out all the nuances of these scores, reminding us that a quarter of a century before Mozart, the stages of Europe were treated to all the evocative power of music by another outstanding figure: Christoph Willibald Gluck.
Eric Le Sage - Schumann Project: Complete Solo Piano Music (2012) (13CD Box Set)

Eric Le Sage - Schumann Project: Complete Solo Piano Music (2012) (13CD Box Set)
EAC Rip | FLAC (tracks+.cue, log) | Covers, d.booklet | 2.55 Gb | MP3 CBR 320kbps | 13:41:40 | 1.83 Gb
Classical | Label: Alpha / ALPHA 813

Winner of the Prix de l Académie Charles Cros, this set brings together Robert Schumann s complete works for solo piano. This great cycle benefited from having been recorded in the unique acoustics of La Chaux-de-Fonds, Switzerland, by Jean-Marc Laisné. Sales of the 13 CDs comprising this set have exceeded 20,000 copies around the world. This complete recording is now acknowledged as a reference and, at the same time, an important step in the artistic life of pianist Eric Le Sage.

Jerez Le Cam Quartet & Anne Magouët - Miniaturas Lunares (2019)  Music

Posted by delpotro at Aug. 16, 2020
Jerez Le Cam Quartet & Anne Magouët - Miniaturas Lunares (2019)

Jerez Le Cam Quartet & Anne Magouët - Miniaturas Lunares (2019)
EAC Rip | FLAC (tracks+log+.cue) - 223 Mb | MP3 CBR 320 kbps - 125 Mb | Covers - 132 Mb | 00:54:37
Ethnic Jazz, Vocal Jazz | Label: Label Ouest

Miniaturas lunares est une expérience acoustique qui établit des ponts entre les musiques populaires, classiques et contemporaines. Miniaturas lunares est une succession de fragments sonores très courts, des histoires minimales qui s’enchaînent. Ces miniatures alternent des poèmes, des chansons et des morceaux de musique instrumentale. J’ai imaginé une série de musiques extrêmement légères et éphémères. Des moments de vie très intimes où l’on s’attache au présent pour que le temps s’allonge et devienne élastique. Des instants de joie, de mélancolie, de surprises, détonants, d’humeur mais aussi des instants nostalgiques qui se succèdent vertigineusement.
Jordi Savall, Le Concert des Nations, La Capella Reial de Catalunya - Claudio Monteverdi: L' Orfeo (2023)

Jordi Savall, Le Concert des Nations, La Capella Reial de Catalunya - Claudio Monteverdi: L' Orfeo (2023)
EAC | FLAC | Image (Cue & Log) ~ 499 Mb | Total time: 01:49:06 | Scans included
Classical | Label: Château de Versailles Spectacles | # CVS080 | Recorded: 2021

Jordi Savall is painting Monteverdi in the colours of the Mediterranean. The Catalan maestro has entrusted the title role of this foundational work of Western music to a remarkable baritone: the magnificent Marc Mauillon embodies Orfeo, his resonant and ductile voice in perfect unison with the conductor’s musical vision. Here, a warm performance and rich sound reign supreme!
Vincent Dumestre, Le Poème Harmonique - Jean-Baptiste Lully: Armide (2024)

Vincent Dumestre, Le Poème Harmonique - Jean-Baptiste Lully: Armide (2024)
EAC | FLAC | Image (Cue & Log) ~ 784 Mb | Total time: 153:19 | Scans included
Classical | Label: Château de Versailles Spectacles | # CVS124 | Recorded: 2023

Armide was Lully and Quinault's last tragedie lyrique: undoubtedly Quinault's finest dramatic achievement, and the culmination of the tragedie en musique conceived by Lully, who died the year after its creation. Never has language appeared so beautiful and tragic in Lully's music, and the drama of this Christian knight falling in love with the sorceress who refuses to kill him was so deeply felt that it remained on stage for a century! Here, Vincent Dumestre passionately conducts Lully's last masterpiece, whose eponymous character, played by the immense Stephanie d'Oustrac, never ceases to bewitch us.
Jordi Savall, Le Concert des Nations - Marin Marais: Alcione (2020)

Jordi Savall, Le Concert des Nations - Marin Marais: Alcione (2020)
EAC | FLAC | Image (Cue & Log) ~ 941 Mb | Total time: 60:16+54:20+61:14 | Scans included
Classical | Label: Alia Vox | # AVSA 9939 | Recorded: 2017

Marais's Alcione is the last great 'tragedy' in music from the reign of Louis XIV. It is a total spectacle at the crossroads of the 17th and 18th centuries, from which it takes the mythological source, it's praise of the sovereign's glory and the literary requirement to combine choreography and stage movements. Jordi Savall rediscovered this work and brought it back to life for the first stage production in Paris since 1771.

V.A. - Le Café Abstrait By Raphaël Marionneau Vol. 10 (2013)  Music

Posted by gribovar at Oct. 19, 2018
V.A. - Le Café Abstrait By Raphaël Marionneau Vol. 10 (2013)

V.A. - Le Cafe Abstrait By Raphael Marionneau Vol. 10 (2013)
EAC Rip | FLAC (tracks+.cue+log) - 1,13 GB | MP3 CBR 320 kbps (LAME 3.93) - 510 MB | Covers - 116 MB
Genre: Chillout, Downtempo, Ambient | RAR 3% Rec. | Label: Abstrait Music

More than the compilation series, more than the lovingly organised events, more than the radio shows: "Le Café Abstrait" is a philosophy of lifestyle: relaxed and culturally open-minded.
It was "Le Café Abstrait" and its mastermind, Raphaël Marionneau, who pioneered chill-out culture at Hamburg's internationally renown Mojo club in 1996: "Le Café Abstrait" reinvented nightclubbing in a new relaxing way. Once a month, stylish sofa installations and light projections transformed Mojo's dancefloor into a gigantic living room. There, up to 400 laid-back nightlife connoisseurs indulged in relaxation and Raphaël Marionneau's very special downtempo music selections. A new lifestyle was born: the couch culture…
Hervé Niquet, Le Concert Spirituel - André Campra: Le Carnaval de Venise (2011)

Hervé Niquet, Le Concert Spirituel - André Campra: Le Carnaval de Venise (2011)
EAC | FLAC | Image (Cue & Log) ~ 712 Mb | Total time: 70:14+58:47 | Scans included
Classical | Label: Glossa | # GCD 921622 | Recorded: 2011

At the dawn of a new century when André Campra was busy writing his Carnaval de Venise (1699), was the composer aware that he would be passing onto the Académie Royale de Musique a fabulous and legendary work that would remain without successors? And whilst the court of the ageing Louis XIV was endeavouring to conserve the spirit of the Grand Siècle at Versailles, Paris was already humming with the new ideas of the Age of Enlightenment.