Le Genou Ligamentaire

En quoi le génome du chimpanzé nous éclaire-t-il sur la préhistoire de l'homme ? Comment sait-on que l'homme de Neandertal adorait la viande et qu'il préférait, quand il avait le choix, le steak de renne au steak de bison ? De quand peut-on dater le premier paléobabyboom ? Quelle plante les hommes du Néolithique ont-ils domestiquée en premier ? Comment les préhistoriens savent-ils que les dessins de mammouths de Rouffignac ne sont pas des faux ? Peut-on dire à qui appartient la main qui figure sur la paroi de la grotte de Vilhonneur ? …

Qui ne s’intéresse pas aux origines de l’homme ?
En plus de soixante-cinq ans de carrière, des fouilles d’Éthiopie à celles du Tchad, de ses laboratoires du musée de l’Homme et du Collège de France aux palais présidentiels et princiers, le spécialiste de la préhistoire a rencontré les chefs d’État du monde entier. …

Miniaturas lunares est une expérience acoustique qui établit des ponts entre les musiques populaires, classiques et contemporaines. Miniaturas lunares est une succession de fragments sonores très courts, des histoires minimales qui s’enchaînent. Ces miniatures alternent des poèmes, des chansons et des morceaux de musique instrumentale. J’ai imaginé une série de musiques extrêmement légères et éphémères. Des moments de vie très intimes où l’on s’attache au présent pour que le temps s’allonge et devienne élastique. Des instants de joie, de mélancolie, de surprises, détonants, d’humeur mais aussi des instants nostalgiques qui se succèdent vertigineusement.

This recording provides an opportunity to discover a forgotten Baroque operatic treasure, a zarzuela, the key dramatic and musical genre of the Spanish Golden Age. Sumptuous choruses, poignant arias and folksongs blend in a rich and spectacular narrative, whose music was falsely attributed to Antonio Literes before Sebastián Durón (1660-1716) was acknowledged as its composer in 2009! Another peculiarity of the work is that it is sung by seven sopranos, who are even given the roles of Apollo, Neptune and the monster Triton. Only the part of an old man, the seer Proteus, is assigned to a tenor. Ana Quintans in the title role, Isabelle Druet, Anthea Pichanick, Caroline Meng and Cyril Auvity are among the cast of this colourful zarzuela, whose modern stage premiere in 2019 enjoyed great success.

As early as 1761, a year before his masterpiece Orfeo ed Euridice, Gluck largely renewed another musical genre, the ballet, with his adaptation of a work by Molière for Viennese audiences: Don Juan. Another work, Sémiramis, followed a year later. These two works are innovative in that they offer, for the first time, a coherent narrative in which all the resources of the orchestra are put at the service of expressiveness. Jordi Savall and Le Concert des Nations bring out all the nuances of these scores, reminding us that a quarter of a century before Mozart, the stages of Europe were treated to all the evocative power of music by another outstanding figure: Christoph Willibald Gluck.

Following the success of his solo recordings, Paolo Zanzu returns at the head of his ensemble Le Stagioni with ‘Officina Romana’, featuring the countertenor Carlo Vistoli. In the early eighteenth century, Rome was one of the great music capitals of Europe. In the space of a few years, Corelli, Handel, Alessandro and Domenico Scarlatti, Caldara, Cesarini and many others crossed paths there, surrounded by painters, sculptors, poets and philosophers who were among the great names of the age. The fruit of long reflection and research, ‘Officina Romana’ crystallises this unique moment in the history of music by recreating an idealised musical evening, a conversazione, a sort of liberal meeting of lofty minds in the palace of a Roman cardinal, with a programme mingling vocal and instrumental music in both orchestral and chamber formation.

The five Canticles constitute a series of five musical works by composer Benjamin Britten. The pieces were written at various points in his career, with three of them written as memorials. Instrumentation differs on each piece, and several are based on non-sacred texts. A review in Opera Today notes, "Britten didn't draw upon the Scriptures for the texts of his canticles, which resemble cantatas more than church hymns in scale and structure, but an intense religious spirit pervades them all." Critic Peter Evans notes the works contain a "mood of spiritual elevation intense enough to demand realization in an ambitious musical structure."

More than the compilation series, more than the lovingly organised events, more than the radio shows: "Le Café Abstrait" is a philosophy of lifestyle: relaxed and culturally open-minded.
It was "Le Café Abstrait" and its mastermind, Raphaël Marionneau, who pioneered chill-out culture at Hamburg's internationally renown Mojo club in 1996: "Le Café Abstrait" reinvented nightclubbing in a new relaxing way. Once a month, stylish sofa installations and light projections transformed Mojo's dancefloor into a gigantic living room. There, up to 400 laid-back nightlife connoisseurs indulged in relaxation and Raphaël Marionneau's very special downtempo music selections. A new lifestyle was born: the couch culture…

Stereo Deluxe present Le Café Abstrait Vol. 9. 30 excellent Chillout and Downtempo tracks: Electrix, Eskadet, Tripswitch, Bob Holroyd, Carbon Based Lifeforms, Solar Fields, Lemongrass and many more.