Leckeres Aus Omas Küche No 32 im April 2013

Angela Hewitt presents a fourth volume in her acclaimed series of Beethoven’s piano sonatas, which has delighted her fans worldwide. The little-known Sonata in B flat major, Op 22, the last of Beethoven’s ‘early’ sonatas, is recorded alongside Op 31 No 3 (sometimes known as ‘La chasse’, or ‘The Hunt’, because of its tumultuous Presto con fuoco finale). The album is concluded with Op 101, of which the journalist for the Allgemeine musikalische Zeitung in Leipzig wrote: ‘Truly, here in his 101st composition admiration and renewed respect take hold of us, when we wander along strange, never trodden paths with the great painter of the soul’, going on to enthuse about the most beautiful colours and pictures in Beethoven’s new Piano Sonata.

No Tellin' Lies is the second album by New Orleans–based hard rock trio Zebra, released in 1984 by Atlantic Records. The original compact disc version was made in West Germany for the US market in 1984 and is very rare. It was reissued in 2007 as a 2-on-1 CD along with the third Zebra album 3.V, which had been deleted as well. Long out-of-print in single disc form for decades, No Tellin' Lies became available again as a stand-alone CD in 2013, with separate reissues from the UK-based Rock Candy Records and as part of a reissue of the first three Zebra albums in Japan.

No Tellin' Lies is the second album by New Orleans–based hard rock trio Zebra, released in 1984 by Atlantic Records. The original compact disc version was made in West Germany for the US market in 1984 and is very rare. It was reissued in 2007 as a 2-on-1 CD along with the third Zebra album 3.V, which had been deleted as well. Long out-of-print in single disc form for decades, No Tellin' Lies became available again as a stand-alone CD in 2013, with separate reissues from the UK-based Rock Candy Records and as part of a reissue of the first three Zebra albums in Japan.

Angela Hewitt presents a fourth volume in her acclaimed series of Beethoven’s piano sonatas, which has delighted her fans worldwide. The little-known Sonata in B flat major, Op 22, the last of Beethoven’s ‘early’ sonatas, is recorded alongside Op 31 No 3 (sometimes known as ‘La chasse’, or ‘The Hunt’, because of its tumultuous Presto con fuoco finale).

Angela Hewitt presents a fourth volume in her acclaimed series of Beethoven’s piano sonatas, which has delighted her fans worldwide. The little-known Sonata in B flat major, Op 22, the last of Beethoven’s ‘early’ sonatas, is recorded alongside Op 31 No 3 (sometimes known as ‘La chasse’, or ‘The Hunt’, because of its tumultuous Presto con fuoco finale).

The Dresden Staatskapelle has a living Bruckner tradition, stretching back a century and more, which is lovingly curated by its new music director, Christian Thielemann, who is himself a powerful advocate for the composer’s symphonies as the pinnacle of the Austro-German tradition; and in particular for the Wagnerian resonances of the Seventh, whose Adagio was shaped by news of Wagner’s death in Venice. Hugo Wolf was also deeply affected by that news; his songs, like Bruckner’s symphonies, can be seen as oblique reflections on the influence of Wagner, especially when sung, as they are here by Renée Fleming, with the utmost delicacy and intimacy.