Relive the flower power era with Ultimate… 60s a 4CD collection containing 80 classic hits from the 60s, includes tracks by Elvis, The Ronnettes, Simon & Garfunkel and many more!
2016 four CD set. This box contains the first four releases from Bill Wyman's Rhythm Kings, the good-time 10-piece band that Bill Wyman put together after leaving the Rolling Stones in 1992…
Twelve Inch Eighties is the new 3CD range by Crimson Productions, compiling extended alternate mixes of some of the biggest hit singles of the 80s. Each themed release is housed in a sleek 3CD digipak with abstract imagery representative of early dance label releases. These carefully selected titles across the range will bring together the finest eighties pop, dance and disco, amongst other genres, in all their full 12” single glory. You Spin Me Round is a selection of 80s pop classic anthems in their glorious alternatively mixed editions. Collecting 30 great tracks from one of the finest eras in pop music.
3 Trumpets + 4 Saxophones + 3 Trombones + Drums & Bass + a man and his guitar = the Adriano BaTolba Orchestra. A lifelong dream has come true for Adriano BaTolba. While working with Dick Brave & the Backbeats he was already nurturing the idea of Germany’s only, if not Europe’s only Rockabilly big band. For Adriano this seemed like the perfect way to marry his background in Jazz with his passion for Rockabilly. Through his vast experience as a producer and performer BaTolba had become acquainted with just about every brass section of note in Germany and all it took was a few phone calls to get the top cats in the game to jump on board. (Some of these guys had already worked with the likes of Anastacia, Shirley Bassey, Michael Buble, Joe Cocker, Falco, David Garrett, Lionel Richie, Seal and Dionne Warwick).
From the release of their first album in 1974, Bad Company were one of the biggest hard rock bands of the '70s. Featuring former members of Free (vocalist Paul Rodgers and drummer Simon Kirke), Mott the Hoople (guitarist Mick Ralphs), and King Crimson (bassist Boz Burrell), Bad Company's straightforward but swaggering attack earned them a steady run of hits. While Bad Company never released a live album with their classic lineup, Atlantic/Rhino Records has delivered something special for the group's fans.
On Saturday, August 16th, 1980 Rainbow took to the stage to headline the first rock festival to be staged at Castle Donington. It was the culmination of the band s tour in support of the hugely successful Down To Earth album, released in 1979, and would prove to be the last live show featuring this particular line-up of the band: Ritchie Blackmore (guitars), Don Airey (keyboards), Graham Bonnet (vocals), Roger Glover (bass) and Cozy Powell (drums)…
Even though they started out on Musea, EGOBAND is another Mellow Records Italian obscurity. What does that mean? It means it's hard to find band information. But there is enough to paint a picture. The first album's lineup consisted of Alessandro Accordino on vocals and keyboards, Fabio Cioni on drums, Massimo Fava on guitars, and Alfonso Capasso on bass. However, only Accordino and Capasso would be consistent with the group over its four-album career. This, along with the fact that there were no live efforts, leads to speculation that EGOBAND may have been more of a project than a band (a la Steely Dan). They went through interesting changes over their career. Starting out purely Neo, with heavy AOR tendencies, and ending up almost in Canterbury territory by the time they got to "Earth"…
As a unit, this must be one of the best piano trios ever, and certainly as instantly recognisable as any of its great predecessors. Charlap’s touch on the keyboard is light, almost stealthy, even when playing full chords, but always firm, clear and beautifully articulated. With the spirited support of bassist Peter Washington and drummer Kenny Washington (famously unrelated), the total effect is just perfect. As always, Charlap’s playing provides convincing proof that it is still possible to create fresh but pertinent treatments of well-known standard songs. The son of a songwriter and a singer, he has an instinctive feel for the idiom. His versions here of I’ll Remember April and A Sleepin’ Bee are masterly.