Led Zeppelin – Led Zeppelin IV

Led Zeppelin formed out of the ashes of The Yardbirds. Jimmy Page had joined the band in its final days, playing a pivotal role on the group's final album, 1967's Little Games, which also featured string arrangements from John Paul Jones. During 1967, the Yardbirds were fairly inactive. Whilst the band members decided the group's future, Page returned to session work in 1967. In the spring of 1968, he played on Jones' arrangement of Donovan's "Hurdy Gurdy Man." During the sessions, Jones requested to be part of any future project Page would develop…

Led Zeppelin returned from a nearly two-year hiatus in 1975 with the double-album Physical Graffiti, their most sprawling and ambitious work. Where Led Zeppelin IV and Houses of the Holy integrated influences on each song, the majority of the tracks on Physical Graffiti are individual stylistic workouts. The highlights are when Zeppelin incorporate influences and stretch out into new stylistic territory, most notably on the tense, Eastern-influenced "Kashmir." "Trampled Underfoot," with John Paul Jones' galloping keyboard, is their best funk-metal workout, while "Houses of the Holy" is their best attempt at pop, and "Down by the Seaside" is the closest they've come to country. Even the heavier blues - the 11-minute "In My Time of Dying," the tightly wound "Custard Pie," and the monstrous epic "The Rover" - are louder and more extended and textured than their previous work…

Houses of the Holy follows the same basic pattern as Led Zeppelin IV, but the approach is looser and more relaxed. Jimmy Page's riffs rely on ringing, folky hooks as much as they do on thundering blues-rock, giving the album a lighter, more open atmosphere…

Deluxe 2CD package with the original artwork, plus the newly created negative artwork for the companion audio. The original album is newly remastered; the 2nd CD features previously unreleased studio outtakes. 16 page booklet.
Houses of the Holy follows the same basic pattern as Led Zeppelin IV, but the approach is looser and more relaxed. Jimmy Page's riffs rely on ringing, folky hooks as much as they do on thundering blues-rock, giving the album a lighter, more open atmosphere. While the pseudo-reggae of "D'Yer Mak'er" and the affectionate James Brown send-up "The Crunge" suggest that the band was searching for material, they actually contribute to the musical diversity of the album. "The Rain Song" is one of Zep's finest moments, featuring a soaring string arrangement and a gentle, aching melody…