Led Zeppelin Deep Throat The Forum, Inglewood, Los Angeles, CA March 24, 25 & 27th (evsd 156 164; Evsdvd)

Zep 73': Evolution Is Timing is a 2019 bootleg by Led Zeppelin, consisting of various live tracks from their 1973 tour. While there is a more-popular 15CD bootleg of the same name, this is not the same thing but may share the same material.

Golden era Grateful Dead in the most golden city in the Golden State? Yes, DAVE'S PICKS VOLUME 46 features the complete unreleased show from the Hollywood Palladium, Los Angeles, 9/9/72. Loosen that tie, this ain't a red carpet rodeo - it's the after party that legends are made of. Consistently excellent from start to finish, this West Coast groove showcases tracks that would soon debut on EUROPE '72, solo material from both Jerry and Bob, a riveting iteration of "China>Rider," a couple of Chuck Berry doozies, a bonkers 35-plus "Other One" that hits all the psychedelic highs, and wraps up with a "Casey Jones"/"Sugar Magnolia"/"One More Saturday Night" finale that'll have you wondering why you wore a tie in the first place. Hooray for Hollywood, indeed.

On June 23, 1977, a familiar legendary live appeared in the best version with two high-quality sound sources as the main!
Version 1-3 edited mainly from the old high-quality analog LP (Source 1), version 4-6 version also based on the familiar ultra-high-quality mirrored source (Source 2) Complementing each other with the missing parts in the main source, and supplementing the missing parts with sources 3 and 4, both versions complete recording. By thoroughly editing and mastering each time you are familiar, follow up missing missing that has been missed in the past. It may be said that the title has been edited so far for the first time.

Dead & Company is an American jam band consisting of former Grateful Dead members Bob Weir (guitar), Mickey Hart (drums), and Bill Kreutzmann (drums), along with John Mayer (guitar), Oteil Burbridge (bass/drums), and Jeff Chimenti (keyboards). The band continues the strong live tradition of the Grateful Dead, creating unforgettable experiences at their shows, no two performances being alike.

The Eagles are unquestionably the biggest mainstream American rock band to have emerged in the 1970s. Not only did they sell more records and concert tickets than their peers – Their Greatest Hits (1971-1975) and Hotel California are two of the biggest-selling albums of all time – but they captured the shifting zeitgeist of the '70s, riding the country-rock hippie hangover at the end of the '60s until it reached the slick, expensive, and expansive pop/rock of Southern California in the late '70s. Co-leaders Don Henley and Glenn Frey met each other, along with fellow founders Bernie Leadon and Randy Meisner, when they were hired to support Linda Ronstadt in 1971. The chemistry was evident on-stage and in the studio, so the quartet decided to form a band, releasing their debut in 1972.

Site of two Olympic Games, Los Angeles Memorial Coliseum provides a fitting backdrop to the last lap of the Born In The U.S.A. tour. On opening night of the final four shows, in front 83,000 fans, Bruce & The E Street Band hit their stadium-tour zenith with a powerhouse performance that mixes road-tested versions of “Seeds,” “Atlantic City,” “Working on the Highway,” “I’m Goin’ Down,” “Glory Days,” “Trapped,” “Dancing in the Dark” and “Downbound Train” with risk-taking world premieres of Edwin Starr’s “War” and the beloved b-side, “Janey, Don’t You Lose Heart.”

Bruce Springsteen once said he intended to make an album with words like Bob Dylan that sounded like Phil Spector with vocals like Roy Orbison's, a nifty summary of many, but not all, of his artistic ambitions and a key to his appeal. Unlike any other singer/songwriters saddled with the appellation of "the new Dylan" in the early '70s, Springsteen never hid how he was raised on '60s AM radio. He loved rock & roll, whether it was the initial blast from the '50s or the mini-symphonies from the days before the Beatles or the garage rockers that surfaced in the wake of the British Invasion, and all this could be heard within his wild, wooly collective E Street Band, a group who debuted on his second album, 1973's The Wild, The Innocent & The E Street Shuffle, and who would support him throughout most of his career.