The trumpeter, then just 19, teams up with baritonist Pepper Adams, pianist Bobby Timmons, bassist Paul Chambers and drummer Philly Joe Jones for a particularly strong set that is highlighted by a lengthy and fiery "Night in Tunisia," "Lover Man" and a rapid rendition of "Just One of Those Things." Morgan plays remarkably well for his age (already ranking just below Dizzy Gillespie and Miles Davis), making this an essential acquisition.
The Hank Mobley of the Turnaround album was a markedly different one from a few years earlier. This session issued in early 1965 was the product of two different sessions. The first was in March of 1963, immediately after Mobley left the Miles Davis band. Those recordings produced "East of the Village," possibly the greatest example of Mobley's "round tone" on record, and the other was "The Good Life," a ballad. The rest was recorded nearly two years later in February of 1965. The title cut was produced here - an Alfred Lion answer to Lee Morgan's "Sidewinder," which was burning up the charts - as well as the beautiful "Pat 'n' Chat," with "Straight Ahead" and "My Sin" rounding out the program…
Recorded early in the trumpeter's career, this fine release originally issued by Vee-Jay Records has been given new life over the years through at least a couple of reissues. This one includes four previously released alternate takes from the seven tracks, each of which features a strong hard bop quintet, with Art Blakey on drums, Eddie Higgins on piano, Art Davis on bass, and Clifford Jordan on tenor saxophone. The set is a tad more laid-back than the later classic Blue Note sessions. Nonetheless, this one offers its rewards, including a rare chance to hear Eddie Higgins in full force, a late of Blakey as a sideman, and a stunning front line with unsung giant Clifford Jordan. Morgan is in good form, swinging and blowing passionately, and his interpretations of "Easy Living" and "Just in Time" are among his best.
Part of Blue Note's quality series of artist samplers, The Best of Hank Mobley surveys the great tenor saxophonist's prime stretch from 1955-1965. Originally overshadowed by the likes of Joe Henderson, Wayne Shorter, and, of course, Coltrane, Mobley nevertheless gained the respect of his peers, thanks to his richly fluid phrasing and smooth, caramel tone – in lieu of trying to impress you, he seduced you slowly from afar. And while one is advised to dive in directly with any one of his Blue Note discs – especially Soul Station, No Room for Squares, and A Slice of the Top – this ten-track overview still works well as a launching pad. Backed by a stellar array of "Blue Note" regulars like Lee Morgan, Curtis Fuller, Billy Higgins, Freddie Hubbard, and Horace Silver, Mobley ranges effortlessly from early hard bop favorites ("Funk in a Deep Freeze") to mature, solo-rich material from the mid-'60s ("The Turnaround"). In between, there are two stunning originals from his banner year of 1960 ("This I Dig of You," "Take Your Pick") and one of the best of his several bossa nova numbers ("Recado Bossa Nova"). For listeners who just want a taste, this best-of collection will do the trick just fine.