In the dense annual blizzard of holiday albums, A VERY SPECIAL ACOUSTIC CHRISTMAS shines like a gleaming treetop star from a warm, inviting living room, thanks to its organic, no-frills approach and its remarkable lineup of performers. Dan Tyminski (of O BROTHER, WHERE ART THOU? fame) offers up a charming version of "Frosty the Snowman," while Willie Nelson lends his legendary voice and guitar playing to a fine take on "Please Come Home for Christmas." Alison Krauss contributes her surprisingly poppy "Only You Can Bring Me Cheer (Gentleman's Lady)," Marty Stuart confides that "Even Santa Claus Gets the Blues," and Pat Green saunters through a relaxed "Winter Wonderland." Bringing the Yuletide album to an appropriate close is Norah Jones, in a beautiful solo rendition of Horace Silver's "Peace".
When Waylon Jennings passed away in 2002, he was rightfully hailed as one of country music's first true "Outlaws" alongside such artists and fellow Highwaymen as Johnny Cash, Willie Nelson, and Kris Kristofferson. But Jennings paid his dues on the Nashville scene before "crossing over" to superstardom with such landmark records as Dreaming My Dreams (1975), Are You Ready for the Country (1976), Ol' Waylon (1977), and I've Always Been Crazy (1978). Cherry Red's country-focused Morello label has already released two collections of four albums apiece chronicling Jennings' pre-outlaw days at his longtime home of RCA Victor. On February 11 (in the U.K.) and February 18 (in North America), the label will turn the clock back to the singer's first four RCA long-players on one 2-CD set: Folk-Country (1966), Leavin' Town (1966), Nashville Rebel (1966), and Waylon Sings Ol' Harlan (1967). It affords a great opportunity to revisit these early recordings in which Jennings was still developing his true voice.
Memphis Minnie was one of the greatest guitarists and blues singers of her time and a pioneering influence in the urban transformation of country blues. This classic selection of songs is taken from her first prodigious burst of creativity when she recorded with her then-husband Kansas Joe McCoy.
Buck Owens, along with Merle Haggard, was the leader of the Bakersfield sound, a twangy, electrified, rock-influenced interpretation of hardcore honky tonk that emerged in the '60s. Owens was the first bona fide country star to emerge from Bakersfield, scoring a total of 15 consecutive number one hits between 1963 and 1967. In the process, he provided an edgy alternative to the string-laden country-pop that was prevalent at the time.
This legendary group from Leeds, have written contemporary music history for the last 40 years as radical innovators of both first generation punk and insurgent roots music. Their new album was recorded in the desert environs of Joshua Tree, California and is drenched with widescreen, barbed-wire atmosphere and hard-earned (but ever amused) defiance.
From Spirituals to Swing was the title of two concerts presented by John Hammond in Carnegie Hall on 23 December 1938 and 24 December 1939. The concerts included performances by Count Basie, Benny Goodman, Big Joe Turner and Pete Johnson, Helen Humes, Meade Lux Lewis, Albert Ammons, Mitchell's Christian Singers, the Golden Gate Quartet, James P. Johnson, Big Bill Broonzy and Sonny Terry.
From Spirituals to Swing was the title of two concerts presented by John Hammond in Carnegie Hall on 23 December 1938 and 24 December 1939. The concerts included performances by Count Basie, Benny Goodman, Big Joe Turner and Pete Johnson, Helen Humes, Meade Lux Lewis, Albert Ammons, Mitchell's Christian Singers, the Golden Gate Quartet, James P. Johnson, Big Bill Broonzy and Sonny Terry.