Leo (2002)

"Thunder in My Heart" and "Easy to Love" barely nicked the Top 40, and of his eight chart hits from 1975 to 1981, these two were the weakest, but this disco album by the quirky singer, once again produced by Richard Perry, is listenable and has more than its share of good players. Olivia Newton-John songwriter Tom Snow co-wrote the title track with Sayer, while Albert Hammond helped out on the second song and follow-up hit. Half of the ten songs are Snow co-writes, with Hammond, Michael Omartian, Bruce Roberts, and others all contributing. The second Hammond/Sayer title, "I Want You Back," is a pleasant album track, but with Omartian on piano, Jeff Porcaro on drums, and Larry Carlton on guitar, Perry could just put the session on automatic pilot.

Leo Sayer is a British-born singer-songwriter musician, and entertainer whose singing career has spanned four decades. Sayer launched his career in the United Kingdom in the early 1970s, and became a top singles and album act on both sides of the Atlantic in the 1970s. His first seven hit singles in the United Kingdom all reached the Top 10 – a feat first registered by his first manager, Adam Faith. His songs have been sung by other notable artists.

Neapolitan music of the 18th century, so important in the formation of the musical lingua franca of the Classical period, is a massively neglected area wherein lie many riches. Despite his greater interest in opera, Leo was maestro di cappella at the Naples royal chapel and composed a good deal of church music, especially towards the end of his life (he died in 1744), in which sound counterpoint and the clarity of modern melodic developments are successfully combined. These are not sterile exercises in ‘old-style’ polyphony, but works of honest, thoroughly Italianate expression.

Wadada Leo Smith's recorded long-form works in the first half of the 2010s have all been justifiably celebrated. From 2010's Ten Freedom Summers to 2013's Occupy the World and 2015's Great Lakes Suites, his albums have evocatively and provocatively engaged their subjects in a deft musical language that investigates as well as illustrates. The six thematically and musically linked compositions of America's National Parks were birthed by Smith's own research on the congressional passing of the Organic Act in 1916 that created the National Parks Service. Unlike filmmaker Ken Burns' documentary, The National Parks: America's Best Idea, Smith doesn't celebrate the majesty of nature here…

Leonardo Leo (1694-1744) was a Neapolitan composer whom academics have sometimes pushed as the missing link between Pergolesi and the full flowering of the early Classical style. Niccolò Jommelli and Gluck Piccinni were among his students, and his own operas feature smooth, lightly accompanied arias that do seem to look forward to the spirit of Gluck and even Mozart. Several recordings of the early 2000s have unearthed his almost-forgotten instrumental music, with liner notes chiding listeners (in the words of the present disc) "so entirely enamored with Vivaldi…that they have ignored music derived from other circles or styles."

There are two really famous Beethoven violin sonatas, the Kreutzer and the Spring. The Kreutzer Sonata inspired the story by Leo Tolstoy, which in turn became the subject of Janácek's First String Quartet, so if you're into comparative studies in the arts, there's a thesis topic for you! The Spring Sonata was featured in Woody Allen's Love and Death, among other places. And perhaps most intriguingly of all, the scherzo of the late sonata, Op. 96, turns up quite clearly in the third movement of Mahler's Second Symphony.