In his liner notes to A Cosmic Rhythm with Each Stroke, pianist/electronicist Vijay Iyer writes that while working in trumpeter/composer Wadada Leo Smith's Golden Quartet/Quintet between 2005 and 2010, the pair often became "a unit within a unit." Evidenced by Tabligh in 2008 and Golden Quintet's half of the 2009 double-disc Spiritual Dimensions, this album (marking the trumpeter's first appearance on ECM in more than two decades) underscores that assertion via distillation. It is one of essences. It reveals the intricacies of music-making according to principles of instinct as well as close listening. Iyer's opening "Passage" is a surprise. The pianist's gently investigatory chords and thematic harmonics offer the hallmarks of a chamber piece.
Wadada Leo Smith's solo trumpet on four classic Thelonious Monk compositions and on four new compositions by Wadada Leo Smith inspired by the life and music of composer/pianist Thelonious Monk, the artist that Wadada Leo Smith feels closest to in the historic continuum of creative music.
Wadada Leo Smith has been a leading proponent of the creation of a new world music since the late '60s, in confluence with Chicago's AACM (Association for the Advancement of Creative Musicians). Much like Don Cherry, Smith draws from a broad palate of world musics, and he's a musical pioneer of the highest order.
Wadada Leo Smith's third Tzadik release finds him in a modern jazz quartet of seasoned jazz cats and legendary improvisers. Pianist Anthony Davis, bassist Malachi Favors Magoustous, and drummer Jack DeJohnette join Smith in creating an unhurried, mature and, frankly, atypical Tzadik release in that even though it may sound somewhat free to more conservative ears, it is hardly antagonistic and is unmistakably a piano jazz quartet. Regardless of classification, this is an album of excellent jazz that is so fresh and well executed as to define and remind what's great about listening to the music. It's a pleasant surprise that such an incredible lineup of musicians can come together and yield a musical sum still greater than what you would expect, when considering the individual "parts."
A Love Sonnet For Billie Holiday by Wadada Leo Smith, Jack DeJohnette and Vijay Iyer brings the three artists together for the first time in this meeting of creative giants. The recording is a unique artistic collaboration featuring compositions by all three of its participants.
This new version of Wadada Leo Smith's classic Reflectativity from 1972 – now a memorial for Duke Ellington – shows his compositional strengths as fully developed, even at that time. Yet, in this piece, he reworks his own notation to open up his lyrical side over his improvisational dimension. His unusual notation – which resembles Anthony Braxton's of the period and later – was actually a system being worked out over the range of multi-tonalities and improvisational possibilities within the erected framework. ~ AllMusic
The Chicago Symphonies represents another magnificent four-disc collection of extended compositions by composer, musician, artist and educator Wadada Leo Smith leading his Great Lakes Quartet in a celebration of Chicago and the rich contributions of the Midwestern artistic, musical and political culture to the United States of America. The first three symphonies, “Gold,” “Diamond” and “Pearl” are performed by Smith with three other contemporary masters of creative music, saxophonist/flutist Henry Threadgill, bassist John Lindberg and drummer Jack DeJohnette. The fourth, “Sapphire Symphony – The Presidents and Their Vision for America,” features saxophonist Jonathon Haffner with Smith, Lindberg and DeJohnette.