Leonardo Fpga

For the pleasure of Queen Mother Anne of Austria and the only 7-year-old King Louis XIV, Cardinal Mazarin had an Italian opera performed in Paris for the first time in December 1645. With great effort, the invited Italian ensemble performs La Finta Pazza by Francesco Sacrati (1605-1650), composed for Venice in 1641. Leonardo García Alarcón directs an extraordinarily successful and colorful revival of this masterpiece, so important for the history of French opera and long considered lost - a true musical miracle.

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In the grand history of the Western world, there is no single individual whose name is more synonymous with inventiveness, curiosity, and creative genius than Leonardo da Vinci. His life and works would not just remake the Renaissance in Italy—they would go on to inspire developments and innovations in our own world.

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Dated respectively 1650 and 1653, the Requiem Masses by Capuana and Rubino are apparently the only two settings of the Requiem to have been composed in Sicily during the Baroque period. Capuanas work is imbued with the intense emotion of the madrigal school whilst the second is a true apotheosis of Renaissance polyphony.

"Legs intertwine, gazes merge, bodies fuse in a firulete and succumb to its charm. Giving the impression that tango is a great magical embrace hard to break off. Because there is something suggestive, something sensual and, at the same time, something tremendously emotional in it". Jorge Luis Borges used these words to describe the infinite universe of Argentine tango, capturing the physical and sensual twine, the corporeality and magic permeating every move and note. The use of the term firulete is not a coincidence: it refers to the embellishment and to the many decorative possibilities which can be applied to the dance. To underline the dancers' virtuosities and moves, tracing figures with their feet well planted on the floor, their hearts reaching out for pure emotion. The same emotion flowing while listening to this exquisite album, in which Astor Piazzolla's Nuevo Tango (1921-1992) is magnificently displayed. Given its style of composition in which the dance roots can be taken towards new shores (and making them evolve).

The Italian pianist, Leonardo Locatelli, was born into a family of artists, brother and aunt already musicians, the sculptor father and grew up immersed in art. He began studying the piano at the age of 7 and at 10 he was admitted to the “G. Donizetti ”in Bergamo, where under the guidance of Marco Giovanetti he graduated with full marks in 2004, winning the Simon Mayr prize as the best graduate of the year of the institute.

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