Les Flammes de Pierre

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Des séries complètes en numérique pour une durée limitée et à prix canon !
Cette édition exclusive numérique contient les ouvrages suivants …

François Bayle - 50 ans d'acousmatique (2012) {15CD Set INA GRM Official Digital Download rel 2015}
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© 2015 INA GRM | INA G 6033/6047
Classical / Musique Concrète / Avant-Garde Music / Experimental Electronic

Monumental! Lavishly conceived, superlative 15-CD Boxset with 160-page (French, English) booklet, a dream come true!!!! François Bayle's itinerary spans over five decades through which music was able to renovate its material through a sensible use of technology. The terms of Musique Concrète, Electroacoustics or Acousmatics, as conveniently proposed by François Bayle, ultimately explore a similar artistic approach: a creative and expressive work on recorded sound. This last half-century saw many major technical mutations and François Bayle - in the fertile context of the Grm seized the right opportunities, often initiating them through his function as director, so as to renovate and update creativity to serve what he called the Light Speed Sound.

Hector Berlioz, France’s greatest Romantic composer, exemplifies the spirit of his age – yet his genius was also ahead of its time. Reflecting his colourful life, his music is astonishing for its originality and ambition, and for orchestration of groundbreaking brilliance. This, the first-ever complete Berlioz edition, comprises carefully selected recordings and even includes works completely new to the catalogue. The accompanying booklet, lavishly illustrated, contains a fascinating commentary from Berlioz biographer David Cairns, whose words bring the composer’s music still more vividly to life.

The new boxset release from Vladimir Cosma following on from Volumes 1 & 2. This release has 17CD's in a hardbox and contains 58 soundtracks which are unpublished and rare.

Igor Markevitch was a leading conductor, known for brilliant performances, especially of twentieth century music. He was also a composer who attracted some interest in his own day. His parents left Kiev when he was two years old. Markevitch was brought up in Vevey, Switzerland. He took piano lessons from his father and then with Paul Loyonnet and also started to compose.

Various Artists - The Real Music Box: 25 Years of Rounder Records (1995) {9CD Set, Rounder Records ‎CDAN25}
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© 1995 Rounder Records | ‎CD AN 25
Blues / Country / Jazz / Folk / Soul / Funk / Bluegrass

Within the discount, ugly-duckling packaging of The Real Music Box: 25 Years of Rounder Records lie nine CD swans worth several hundred times their weight in superficial music-industry gold records. Since 1970, Massachusetts-based Rounder has been a stalwart sanctuary of various musics at the root of what has recently been labeled "Americana." The retrospective is segmented into four thematic two-disc sets, each offering a staggering 30 to 50 tracks where legendary names rub shoulders with bright young Rounder talent.

Much of the richly diverse oeuvre of Albert Roussel (1869-1937) grew from his far-flung travels as a young navy officer. One of the major French composers of his time, he produced music that embraces the exotic colours of so-called Impressionism, the rigour of his training at Vincent d’Indy’s Schola Cantorum, and the questing spirit of Modernism. Containing a number of CD premieres, this wide-ranging edition features such performers as Jean Martinon, Charles Munch and Claire Croiza – all colleagues of the composer, who makes appearances as both conductor and pianist – André Cluytens, Michel Plasson and José van Dam.

Édouard Lalo - Le Roi d'Ys - French Broadcasting Orchestra, André Cluytens (2018) {Erato-Warner Classics rec 1957, Mono}
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© 1957, 2018 Erato / Parlophone / Warner Classics | 0190295734855 | Mono
Classical / Romantic / Opera

Lalo’s Le Roi d’Ys draws on the same Breton myth of a submerged city as Debussy’s La Cathédrale engloutie. A great success at its 1888 premiere at Paris’s Opéra Comique, it even reached the Metropolitan Opera, New York, but its current rarity on the world’s stages makes this classic 1957 recording still more treasurable. The performers’ Gallic credentials are impeccable, even though both Rita Gorr and André Cluytens were natives of Flanders. Like soprano Janine Micheau and tenor Henri Legay, Cluytens enjoyed close links to the Opéra Comique, spending six years as its music director.