Les Informatici ed

Fully integrated with the musical line, the singers avoid melodrama through intimate, small gestures as if acting for screen, not stage.’ Gramophone Critics' Choice 2021 Paul Agnew and Les Arts Florissants conclude their exploration of this fascinating corpus. Even more than in his first books, Gesualdo here displays incredible modernity, playing in inimitable fashion on dissonances and chromaticisms. Love and death, joys and sorrows embrace and clash amid ever bolder harmonies.

The circumstances of the composition of Purcell’s only opera, Dido and Æneas, are unclear. First performed in the 1680s, it received few performances in the composer’s lifetime, before disappearing until its revival at the very end of the nineteenth century. This miniature, poetic, dramatic, delightfully melodic, and containing some unforgettably beautiful vocal pieces (Dido’s “Lament”, the Witches’ songs…) has enjoyed great success ever since.

ATMA Classique is delighted to present Anguille sous roche (Something fishy!), the first recording by the latest incarnation of renowned viol duo Les Voix humaines. The new pairing consists of Mélisande Corriveau, who succeeds the duo’s co-founder Margaret Little, and Susie Napper. Corriveau and Napper have performed together for two decades as members of Les Voix humaines Consort. Both play on historic viols by London luthier, Barak Norman.

Wild & greasy blues at its best, a two-song session for an anthology turned into an all-night, live-in-the-studio jam. Sounds like it was great fun.
Signing to Alligator in the mid-'80s, they released their debut album, Roughhousin', in 1986 and found themselves receiving national attention. They began playing urban clubs and festivals all over the country and eventually toured Canada, Europe, and Japan.