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A puzzling paradox: although Vivaldi devoted over 30 years to composing for the Ospedale della Pietà in Venice, no complete musical setting of any liturgy by him has come down to us.

Paris, early Twentieth Century: in the space of three ballets, a previously unknown Russian composer revolutionised the music of his time. With The Firebird and Petrushka, respectively fairytale and folktale, and of course The Rite of Spring, a telluric invocation with its insanely innovative harmonies and rhythms, Stravinsky dynamised the Late Romantic orchestra, taking it to literally unheard-of places.

François Couperin, whose 350th birthday we celebrate this year, defined himself as a creator of musical portraits. The eloquent and sometimes exotic titles of many of these pieces bear witness to this. From the Nations to the Collected Tastes, as well as the Royal Concerts and the harpsichord repertoire, Les Folies françoises have painted throughout this album a portrait that pays homage to one of the greatest composers of the Sun King's court.

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