Let's George Masso

Pianist George Shearing planned to revisit his roots in Dixieland and swing but he hedged his bets. Despite having an impressive septet with such players as cornetist Warren Vache, Ken Peplowski on tenor, trombonist George Masso and clarinetist Kenny Davern, Shearing wrote out most of the ensembles, taking away from the spontaneity and potential excitement of the music. Despite the interesting repertoire (ranging from "Truckin'," "Honeysuckle Rose" and "Jazz Me Blues" to "Take Five," "Desafinado" and even a Dixiefied "Lullaby Of Birdland"), this date falls far short of its potential.

This CD may be scoffed at by serious jazz listeners, and even by big-band devotees wary of modern "ghost band" performances, but the fact is that it sold over 100,000 pieces when it first appeared in 1983, and its CD version was among the very earliest compact discs ever released commercially in the United States (indeed, so early that the actual CDs had to be imported from Japan). The second-ever release by GRP Records, it put the label on the map, and it also stood as testimony to how good those original arrangements of the Glenn Miller Orchestra were. So how is it as music?

This collection lets us peek into the making of one of rock's greatest albums. We get to hear the songs broken down and constructed from the live, basic tracks, all the way to a near finished product…