The first compilation to attempt an all-encompassing overview of Bryan Ferry and Roxy Music's career, Street Life was originally released in 1986, four years on from the band's break-up. And, across four sides of vinyl, it represented one of the most lovingly compiled tombstones any band could receive. Subsequent compilations have, of course, undermined it a little, but still it's difficult to criticize a collection that wraps up every significant hit single that the two parties enjoyed, from "Virginia Plain" and the oft-overlooked "Pyjamarama" through to "Jealous Guy" and "Avalon," via "A Hard Rain's A-Gonna Fall" and "Slave to Love."
The first compilation to attempt an all-encompassing overview of Bryan Ferry and Roxy Music's career, Street Life was originally released in 1986, four years on from the band's break-up. And, across four sides of vinyl, it represented one of the most lovingly compiled tombstones any band could receive. Subsequent compilations have, of course, undermined it a little, but still it's difficult to criticize a collection that wraps up every significant hit single that the two parties enjoyed, from "Virginia Plain" and the oft-overlooked "Pyjamarama" through to "Jealous Guy" and "Avalon," via "A Hard Rain's A-Gonna Fall" and "Slave to Love."
Design of a Decade: 1986-1996 is a misleading title. The bulk of Janet Jackson's greatest-hits collection concentrates on Control and Rhythm Nation 1814, simply by contractual necessity. That is far from a fatal flaw. The hits from those two albums were state-of-the-art dance-pop productions at the time of their release, filled with bottomless beats and memorable, catchy hooks. None of the songs has lost any of its impact, from the funk of "Miss You Much" and "What Have You Done for Me Lately," to the ballads "Let's Wait Awhile" and "Come Back to Me." In addition to all 13 Top 40 hits from Control and Rhythm Nation – all but one went into the Top Five – Design of a Decade includes the biggest and best hit from janet., the sultry "That's the Way Love Goes," and two new songs, "Runaway" and "Twenty Foreplay." It's a credit to Janet that the two new numbers feel like genuine hits, not tacked-on filler, and help make the album a compulsively listenable greatest-hits collection.
Fattburger is a jazz group, best categorized in the jazz-funk, contemporary jazz, or jazz fusion subgenres. The band was formed by saxophonist Hollis Gentry, keyboardist Carl Evans Jr., bassist Mark Hunter, drummer Kevin Koch, and guitarist Steve Laury in San Diego during the early 1980s. Tommy Aros soon joined as a percussionist. One Of A Kind is the debut album of Fattburger.