Letectvi a Kosmonautika 1988 10

The second collection covering hit singles from the '70s top funk and soul band, Earth, Wind & Fire. This anthology has recently been supplanted by a box set covering virtually all of their big Columbia singles and some early Warners material. If you enjoyed their disco and late '70s cuts more than the early tracks, this anthology is worth getting.

Grooving Electronic Natural Environments is musically diverse electronic new age project built around a mystery of Canadian born talented composer Cléo de Mallio…

The line between sincere appreciation and blind imitation is a thin one, and too often contemporary blues or country musicians cross it when covering classic songs. Roy Book Binder avoids the problem by refusing to become overwhelmed by idolatry, and instead enjoying himself while doing vintage material. That was evident on the 12 songs that comprised this session. While Book Binder's convivial vocals made his versions of Jesse Thomas' "Friend Like Me," Merle Haggard's "Nobody Knows I'm Hurtin," or Jimmie Rodgers' "Waiting for a Train" appealing, his guitar solos and band interaction gave the songs a vital, modern kick.

Robillard, both a good blues guitarist and knowledgeable swing player, displays his rocking side on this '88 date. There are flashier solos, more uptempo cuts, and an aggressive, frenetic quality that's missing on Robillard's jazz-oriented releases. Duke Robillard is an award-winning American blues, roots rock, and jazz guitarist. His warm, silvery, vintage sound and clean playing style evoke the entire history of blues, jump R&B, swing, and proto rock & roll. A globally renowned guitarist, Robillard is a singer, songwriter, bandleader, producer, and a first-call session player. A founding member of Roomful of Blues, he cut the roots-rocking Duke Robillard and the Pleasure Kings in 1983. He replaced Jimmie Vaughan in the Fabulous Thunderbirds in 1989 and remained through 1993.

On April 21, 1988, two significant events occured in the Cradle of the Blues, Clarksdale, Missisippi. One was ZZ Top's dedication of a guitar made from a board from Muddy Waters' home to the Delta Blues Museum. Of equal significance were the incredible performances turned in by the "original" Muddy Waters Blues Band at John Mohead's Cotton Exchange Club. No overblown concert to mark the event, rather two authentic juke-joint shows by a special group of players, the likes of which invented the genre.
This two-CD set was distilled from those historic performances. Be warned! You'll hear crowd noise, clinking glasses, missed notes and feedback. You'll hear tade-ins and fade-outs, mainly because the original recording devices were not always operating at the right time…

The famous oboist Heinz Holliger and the legendary musical ensemble recorded for the posterity one of the most pyramidal musical documents in the second half of the past Century. There's no any flaw. Every single bar is perfect. Holliger dominates not only the variegated tonal possibilities of the instrument, but he gives to each score the expected degree of expressiveness and feverish lyricism.