Letectvi a Kosmonautika 1988 17

Canned Heat is an American rock band that was formed in Los Angeles in 1965. The group has been noted for its interpretations of blues material and for its efforts to promote interest in this type of music and its original artists. It was launched by two blues enthusiasts, Alan Wilson and Bob Hite, who took the name from Tommy Johnson's 1928 "Canned Heat Blues", a song about an alcoholic who had desperately turned to drinking Sterno, generically called "canned heat", After appearances at the Monterey and Woodstock festivals at the end of the 1960s, the band acquired worldwide fame with a lineup consisting of Hite (vocals), Wilson (guitar, harmonica and vocals), Henry Vestine and later Harvey Mandel (lead guitar), Larry Taylor (bass), and Adolfo de la Parra (drums).

The Hollies have a recorded many songs and everyone has their own list of favourites whether it be single or album track. With this Double set, we've included all the hits plus the classics that audiences request at every Hollies concert.

Fleetwood Mac are a British-American band formed in 1967, in London. The band has sold more than 100 million records worldwide, making them one of the best-selling bands of all time. In 1998, selected members of Fleetwood Mac were inducted into the Rock and Roll Hall of Fame, and received the Brit Award for Outstanding Contribution to Music.

On her first two albums, k.d. lang took a witty and playful approach to the sounds and traditions of classic country music, and while it was obvious she truly loved the music, she also seemed to be having a bit of fun at its expense at the same time. But in 1988, lang proved beyond a doubt that she was serious about country (as well as her own talent) with Shadowland, an homage to the polished countrypolitan sounds of the 1950s and '60s that was produced by Owen Bradley, the iconic Nashville producer who was behind the controls for many of Patsy Cline's most memorable recordings. lang herself sought out Bradley to work on the album, and luring him out of retirement proved to be a masterstroke; rather than try to re-create the lush textures and deep atmosphere of Bradley's sides for Cline or Brenda Lee herself, lang went to the source, and Bradley gave her studio settings that referenced his work during Nashville's golden era while adding an ever-so-slight contemporary sheen.

Excellent Album from Extravagant French Pop Diva of the Big 80's. Perhaps the most original debut to come out of the French music movement of the late-'80s, "Labyrinthe" bears very little resemblance to traditional French chanson and synth pop from the likes of Les Rita Mitsouko. Instead, it provides an accessible but rough sound driven by Guesch's hoarse, snotty voice and the tight accompaniment of her backing band Encore. "Etienne" was #1 in several European countries, while the video clip (with Guesch using a chair as sexual partner) caused much uproar. As debut albums go, there's a couple of filler and uninspired tracks, and the band sometimes falls into rock cliches. Nevertheless, the funny "Let be must..", the suprisingly sinister "Bon anniversaire", and the bright pop of "C'est pas assez" are other highlights. "Labyrinthe" is rather a collection of songs (and not a very consistent album), but the dynamic performance of Guesch and her band keeps things fairly interesting.

Taken together, David Coverdale's first two post-Deep Purple solo albums, 1977's White Snake and 1978's Northwinds, are rather more subdued and, while not exactly laid-back, more in a mainstream late-'70s rock groove than you might expect from a singer who fronted both Deep Purple and Whitesnake, with pit stops for roots rock, AOR ballads, and gently funky stuff. Taken on their own terms outside of the context of Deep Purple and Whitesnake, they're mediocre listening, the product of a man uncertain about where to take his music as a solo act, without the rock-hard hard rock support of one of his steady bands.

Esoteric Recordings are pleased to release the classic lost album by The Crazy World of Arthur Brown, Strangelands. Recorded in the Autumn of 1969, the sessions were an attempt to resurrect the Crazy World by Arthur Brown and featured some classic material. Divided into four sub-headings, (The Country, The City, The Cosmos and The Afterlife), Strangelands was certainly ahead of its time but failed to gain a full release for nearly two decades. In hindsight, the material can be seen as the blueprint for Arthur s next project, the innovative Kingdom Come.
This Esoteric Recordings reissue also adds the legendary Replicas sessions by Rustic Hinge. Featuring Crazy World drummer Drachan Theaker and guitarist Andy Rickell, the project was originally intended to feature Arthur Brown as vocalist and also featured the legendary High Tide guesting on one track…