Schnittke as we know is a very unique composer. "all composers are unique". Well some more so than others, and some MUCH more so unique than others. Schnittke, like Pettersson stand out as the 2 greatest late 20th century composers and 2 of the greatest ever in the past 300 yrs.
Glazunov, a pupil of Rimsky-Korsakov, received encouragement also from Belyayev, an influential patron and publisher whose activities succeeded and largely replaced the earlier efforts of Balakirev to inspire the creation of national Russian music. Glazunov joined the teaching staff of the St Petersburg Conservatory in 1899 and after the student protests and turmoil of 1905 was elected director, a position he retained until 1930 (although from 1928 he remained abroad, chiefly in Paris, where he died in 1936).
Glazunov, a pupil of Rimsky-Korsakov, received encouragement also from Belyayev, an influential patron and publisher whose activities succeeded and largely replaced the earlier efforts of Balakirev to inspire the creation of national Russian music. Glazunov joined the teaching staff of the St Petersburg Conservatory in 1899 and after the student protests and turmoil of 1905 was elected director, a position he retained until 1930 (although from 1928 he remained abroad, chiefly in Paris, where he died in 1936).
With the return of these stereo recordings by David Oistrakh and Lev Oborin (made in Paris in 1962), many collectors will find an automatic first choice. This new Philips set presents these accounts in fine digital transfers and has the benefit of having all 10 sonatas placed sequentially across four CDs. The performances are exceptionally fine, sometimes not as dramatic as Schneiderhan's (DG), it's true, but always intensely musical and natural.