2021 marks 25 years of the Real Filharmonia de Galicia, which celebrates its silver jubilee with 'Atlantic Waters', an album of world-premiere recordings showcasing the cream of contemporary Galician musical talent. The orchestra is conducted on this recording by Paul Daniel, CBE, its Chief Conductor and Artistic Director since 2013, praised in Gramophone magazine for being "particularly adept at finding the score's drama and beauty."
2021 marks 25 years of the Real Filharmonia de Galicia, which celebrates its silver jubilee with 'Atlantic Waters', an album of world-premiere recordings showcasing the cream of contemporary Galician musical talent. The orchestra is conducted on this recording by Paul Daniel, CBE, its Chief Conductor and Artistic Director since 2013, praised in Gramophone magazine for being "particularly adept at finding the score's drama and beauty."
Christoph Willibald Gluck’s Orfeo ed Euridice is an opera whose historical value is as great as its musical worth. It stands as a starting point for what is often referred to as the “Gluck reform” of Italian serious opera, and the first performance of Orfeo, which took place in Vienna on the 5th of October 1762, is considered to be one of the key moments in the history of music in the eighteenth century.
Premiered in 1821, Matilde di Shabran was Rossini's 32nd opera. It is a semi-serious work, with a plot that concerns a woman-hating, militaristic, hypochondriacal Lord (Corradino) whose doctor (Aliprando) tries to get him to fall in love with his ward, the sharp-witted Matilde, in order to make him happy. There are buffo characters and Corradino, after falling for Matilde, almost has her executed when he's duped by a Countess who loves him into thinking Matilde loves another. But a comic character, Isidoro, the court poet, saves the day and all ends happily.
Igor Stravinsky is not a composer who is usually associated with symphonic form. Five of his compositions bear that name, however, even though they have little in common. The first major work Stravinsky composed entirely in the United States, the Symphony in Three Movements seems to pick up where the Rite of Spring left off with its rhythmic ostinatos and shock effects. It can be interpreted as the composer’s response to the Second World War, which was ravaging Europe at the time of its composition, and its striking and triumphant conclusion appears to echo of what the composer must have felt. The Symphonies of Wind Instruments, a short, compact work, was a tribute to Stravinsky’s friend and colleague Claude Debussy.