Igor Stravinsky is not a composer who is usually associated with symphonic form. Five of his compositions bear that name, however, even though they have little in common. The first major work Stravinsky composed entirely in the United States, the Symphony in Three Movements seems to pick up where the Rite of Spring left off with its rhythmic ostinatos and shock effects. It can be interpreted as the composer’s response to the Second World War, which was ravaging Europe at the time of its composition, and its striking and triumphant conclusion appears to echo of what the composer must have felt. The Symphonies of Wind Instruments, a short, compact work, was a tribute to Stravinsky’s friend and colleague Claude Debussy.
Igor Stravinsky is not a composer who is usually associated with symphonic form. Five of his compositions bear that name, however, even though they have little in common.
Igor Stravinsky is not a composer who is usually associated with symphonic form. Five of his compositions bear that name, however, even though they have little in common.
The arrangement of Isaac Albéniz's Iberia for orchestra was the last major enterprise undertaken by Francisco Guerrero, although the composer's sudden and unexpected death in October 1997 unfortunately left the project only half-finished. Of the twelve numbers that comprise the famous piano suite, Guerrero managed to orchestrate six. In an interview published in 1989, when asked whom he regarded as the foremost Spanish composer from the last hundred years, he answered thus: "for me the greatest beyond doubt is Albéniz. Iberia is the greatest Spanish work in the last hundred years. It is sumptuous, fabulous music, an extraordinary masterpiece of inexhaustible richness.".
Composed for La Scala in Milan in 1819, Bianca e Falliero is an opera of extraordinary dramatic originality, rich in highly spectacular stage solutions, and a fundamental work for our understanding of the full significance of the authentic revolution that the composer from Pesaro brought about in opera; a revolution that was destined to have a decisive influence on the development of Italian opera in the nineteenth century. The singing cast features Maria Bayo, Daniela Barcellona, Francesco Meli and Carlo Lepore, conducted by Renato Palumbo and directed by Jean-Louis Martinoty.