Life's 宋岳庭

Fables of the Reconstruction was intentionally murky, and Lifes Rich Pageant was constructed as its polar opposite. Teaming with producer Don Gehman, who previously worked with John Mellencamp, R.E.M. developed their most forceful record to date. Where previous records kept the rhythm section in the background, Pageant emphasizes the beat, and the band turns in its hardest rockers to date, including the anthemic "Begin the Begin" and the punky "Just a Touch." But the cleaner production also benefits the ballads and the mid-tempo janglers, particularly since it helps reveal Michael Stipe's growing political obsessions, especially on the environmental anthems "Fall on Me" and "Cuyahoga." The group hasn't entirely left myths behind – witness the Civil War ballad "Swan Swan H" – but the band sound more contemporary both musically and lyrically than they did on either Fables or Murmur, which helps give the record an extra kick. And even with excellent songs like "I Believe," "Flowers of Guatemala," "These Days," and "What if We Give It Away," it's ironic that the most memorable moment comes from the garage rock obscurity "Superman," which is sung with glee by Mike Mills.

Barbara Lahr is a German singer, composer, bassist, guitarist, and producer best known for her collaboration with German Nu Jazz group De Phazz.

Franz Schreker - Complete Songs For Voice And Piano Vol. 1
Jochen Kupfer / Ofelia Sala / Anne Buter / Reinild Mees
EAC+LOG+CUE | FLAC: 235 MB | Full Artwork: 152 MB | 5% Recovery Info
Label/Cat#: Channel Classics # CCS 12098 | Country/Year: Netherlands 1998
Genre: Classical | Style: Early 20th Century, Vocal, Songs

"…these performances are extraordinary. All three vocalists communicate words and emotions superbly." ~Fanfare

R.E.M. began to move toward mainstream record production on Lifes Rich Pageant, but they didn't have a commercial breakthrough until the following year's Document. Ironically, Document is a stranger, more varied album than its predecessor, but co-producer Scott Litt – who would go on to produce every R.E.M. album in the following decade – is a better conduit for the band than Don Gehman, giving the group a clean sound without sacrificing their enigmatic tendencies. "Finest Worksong," the stream-of-conscious rant "It's the End of the World as We Know It (And I Feel Fine)," and the surprise Top Ten single "The One I Love" all crackle with muscular rhythms and guitar riffs, but the real surprise is how political the mid-tempo jangle pop of "Welcome to the Occupation," "Disturbance at the Heron House," and "King of Birds" is. Where Lifes Rich Pageant sounded a bit like a party record, Document is a fiery statement, and its memorable melodies and riffs are made all the more indelible by its righteous anger.

When Swedish artist Solar Fields (Magnus Birgersson) meets French artist Aes Dana (Vincent Villuis)… the outcome is H.U.V.A. Network, a downtempo project where North and South regions mix and jumble together in a fluid manner. The pair of sound architects explore ambient-electronica landscapes and their multiple layouts. Their works are thought out and composed in two studios: Studio Jupiter (Göteborg, Sweden) and Ultimae Studio (Lyon, France). Musical works and ideas are conceived in these two creation poles via a few travels and a high speed internet network connection, thus breaking "Distances" (2004) which separate the two composers…