The Second Volume of Leonard Bernsteins complete recorded legacy on Deutsche Grammophon: an original jackets collection in an LP-size box with deluxe book, taking in some of his most famous and celebrated recordings. The set comprises Bernsteins complete recordings of composers from Mahler (19 CDs) to Wagner. Includes all of Bernsteins recordings of Mendelssohn, Mozart, Puccini, Schubert, Schumann, Shostakovich, Sibelius, Strauss, Stravinsky and Tchaikovsky. This repertoire is supplemented by the five American Decca CDs, with performances and analyses of Beethovens Erocia, Schumanns Second, Dvoraks New World, Brahmss Fourth and Tchaikovskys Pathetique.
The Second Volume of Leonard Bernsteins complete recorded legacy on Deutsche Grammophon: an original jackets collection in an LP-size box with deluxe book, taking in some of his most famous and celebrated recordings. The set comprises Bernsteins complete recordings of composers from Mahler (19 CDs) to Wagner. Includes all of Bernsteins recordings of Mendelssohn, Mozart, Puccini, Schubert, Schumann, Shostakovich, Sibelius, Strauss, Stravinsky and Tchaikovsky. This repertoire is supplemented by the five American Decca CDs, with performances and analyses of Beethovens Erocia, Schumanns Second, Dvoraks New World, Brahmss Fourth and Tchaikovskys Pathetique.
The Second Volume of Leonard Bernsteins complete recorded legacy on Deutsche Grammophon: an original jackets collection in an LP-size box with deluxe book, taking in some of his most famous and celebrated recordings. The set comprises Bernsteins complete recordings of composers from Mahler (19 CDs) to Wagner. Includes all of Bernsteins recordings of Mendelssohn, Mozart, Puccini, Schubert, Schumann, Shostakovich, Sibelius, Strauss, Stravinsky and Tchaikovsky. This repertoire is supplemented by the five American Decca CDs, with performances and analyses of Beethovens Erocia, Schumanns Second, Dvoraks New World, Brahmss Fourth and Tchaikovskys Pathetique.
Digitally remastered and expanded two edition of this 1980 album. The Associates debut LP The Affectionate Punch further cemented their growing reputation as sometimes startling, often enthralling innovators who recognized no musical rules. This expanded edition features the original LP in a new, hi resolution transfer from tape, and Disc Two features one previously unreleased track. The booklet features liner notes by Billy MacKenzie biographer Tom Doyle, reproductions of original promotional material and memorabilia, and previously unpublished photos.
The essence of Camille Saint-Saëns' music comes through perhaps most clearly in his music for solo instrument and orchestra, which exemplifies his elegant combination of melody and conservatory-generated virtuosity. The two cello concertos are here, plus a pair of crowd-pleasing short works for piano and orchestra, and the evergreen Carnival of the Animals, with pianists Louis Lortie and Hélène Mercier joining forces along with a collection of instruments that includes the often-omitted glass harmonica. There are all kinds of attractions here: the gently humorous and not over-broad Carnival, the songful cello playing of Truls Mørk, and the little-known piano-and-orchestra scene Africa, Op. 89, with its lightly Tunisian flavor (sample this final track). But really, the central thread connecting them all is the conducting of Neeme Järvi and the light, graceful work of the Bergen Philharmonic Orchestra; French music is the nearly 80-year-old Järvi's most congenial environment, and in this recording, perhaps his last devoted to Saint-Saëns, he has never been better.
Originally formed in Yorkshire, England, in 1966, Smokie hit the British pop charts several times during the late '70s with updated psychedelic pop, influenced by the band's stay on Mickie Most's Rak Records as well as the writers of most of the band's hit material, Rak's Nicky Chinn and Mike Chapman. Vocalist Chris Norman, bassist Terry Utley, guitarist Alan Silson, and drummer Ron Kelly had played in the Elizabethans, but formed the band Kindness in 1970. The quartet recorded many singles during the late '60s and early '70s, but failed to show any chart activity. By 1973, Kelly had left the band and was replaced by Pete Spencer.
The Golden Age of Music & Theatre: The times of William Shakespeare (1564–1616) offered much more than great theatre. Those were years when music flourished, a time of saucy street ballads, of melancholy lute-songs and madrigals. Great artists of the early music scene convey us into this seemingly distant world and bring it to life…