Lifo #421, 5 March 2015 Pdf

Roxette XXX – The 30 Biggest Hits is the sixth greatest hits compilation album by Swedish pop duo Roxette, released on 3 November 2014 by Roxette Recordings in conjunction with Parlophone and Warner Music Group.

Roxette XXX – The 30 Biggest Hits is the sixth greatest hits compilation album by Swedish pop duo Roxette, released on 3 November 2014 by Roxette Recordings in conjunction with Parlophone and Warner Music Group.

Roxette XXX – The 30 Biggest Hits is the sixth greatest hits compilation album by Swedish pop duo Roxette, released on 3 November 2014 by Roxette Recordings in conjunction with Parlophone and Warner Music Group.

Esoteric Antenna are pleased to announce the release of the marvellous live album by Van Der Graaf Generator, "Merlin Atmos”. In June 2013, Peter Hammill, Hugh Banton and Guy Evans took to the road in Europe to present a series of live concerts that featured a set list that excited devotees of Van Der Graaf Generator like no other for many years. The band had decided the time was right to present their epic classic piece "A Plague of Lighthouse Keepers” in its entirety on stage for the first time, along with Peter Hammill’s equally epic "Flight”.
As the centrepieces of the band’s live set, a series of wonderful concerts took place, drawing on the classic material from the band’s past, as well as their more recent albums such as "A Grounding in Numbers”…

Formed by world reknown keyboardist Jim Alfredson (organissimo, Dirty Fingers, Janiva Magness, Greg Nagy Band, Root Doctor) Theo harkens back to the keyboard-centric superbands of the 1970s like Yes, Genesis, and Emerson Lake and Palmer, but with a distinctly modern and bold approach. Theo also represents a return to the concept of the keyboardist as a vital and irreplaceable part of the group, rather than a mere sideman. The intrepid and dynamic music is paired with auspicious lyrical themes of corporatization, consumerism, loss of innocence, exile, and the obsession with celebrity. Lead vocals are handled by Alfredson himself. Usually relegated to background duties, Alfredson's surprisingly flexible baritone voice shifts from soaring muscularity to intimate falsetto and everything between. The eponymous debut album features six tracks including an epic three song opening suite comprising 24 minutes.

By all accounts, the somewhat unexpected 2014 King Crimson tour was a resounding success and Live at the Orpheum is the first offering for those who were unable to attend. The band had been reinvented with a combination of new and returning players and the set list consisted largely of tunes that hadn't been performed live since the '70s, if at all. The main wild card was the three-drummer front line, which easily could have turned into a mess, even without music as challenging as Crimson's. Well, the time the three drummers (Pat Mastelotto, Bill Rieflin, and Gavin Harrison) spent rehearsing before convening the entire group was well worth it, because they play with a single mind throughout. The returning Mel Collins sounds fantastic on all manner of saxophones and flute, and hearing Tony Levin's amazing bass playing on all these old King Crimson tunes is a real treat…

The J. J. Johnson Quintet - Dial J. J. 5 (1957) {2015 Japan Jazz Collection 1000 Columbia-RCA Series SICJ 22}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 269 Mb | MP3 @320 -> 109 Mb
Full Artwork @ 600 dpi (png) -> 274 Mb | 5% repair rar
© 1957, 2015 Columbia / Sony Music Japan | SICJ 22
Jazz / Bop / Hard Bop / Trombone

Reissue with the latest remastering. Comes with liner notes. One of JJ's best from the late 50s – a tightly crackling hardbop set, recorded very much in the manner of his classic JJ Inc album! The sound here is a bit more compact overall – with some shorter tracks that really allow Johnson to display his keen sense of economy on his horn, while working in a burning mode that recalls some of his best bop sides from the early years – particularly his work on Blue Note.