Lila Tre Codini Annalaura Guastini

Puccini once said, ‘there is more music in Perosi’s head than in mine and Mascagni’s put together’. Priest-composer Lorenzo Perosi achieved international celebrity by the late 1890s for his sacred music, and he also composed a fine selection of chamber works that are little known today. Perosi’s Piano Quintets have a fresh and spontaneous feel, even though they were written while he grieved the loss of his brother. Combining bold rhythms and solemn spiritual depth, these works along with the Second String Trio are all respectful of tradition while representing an exploration of new paths unique in Italian music of the time.

Hidden behind the late 19th century’s great symphonies, sumptuous ballets and concertos with moving climaxes is something much more thoughtful and contemplative. A delicate sonic world, where silence is as important as sound, marked by pianissimi and a veiled, almost restrained feeling of melancholy. This secret landscape comes courtesy of a few precious pieces for string orchestra by three Russian composers, all active at approximately the same time.

Coming into French and English from the Greek élegos (‘lament’), an elegy (élégie) is a poetic or musical composition expressing sorrow or lamentation, typically mourning the loss of a loved one or reflecting on themes of grief and melancholy.

Coming into French and English from the Greek élegos (‘lament’), an elegy (élégie) is a poetic or musical composition expressing sorrow or lamentation, typically mourning the loss of a loved one or reflecting on themes of grief and melancholy.