Lion's Heat

Change is good. Change is important. Change is the enemy of stagnation, a vital means to keep things fresh, innovative and exciting. For TAX THE HEAT, ‘change’ means something else too. The title track of the acclaimed British band’s stunning new album, »Change Your Position«, sees them addressing the turbulent state of the world right now and the very real impact it is having on people. “It’s looking at division in society and people using it as an excuse to do wrong and say wrong,” says singer and guitarist Alex Veale. “It’s saying, ‘Look, change your position.’ It’s holding up a mirror to things.” Fittingly, »Change Your Position« - recorded once again with maverick producer Evansson - represents a huge leap forward for TAX THE HEAT, who are completed by guitarist JP Jacyshyn, bassist Antonio Angotti and drummer Jack Taylor.

With the inevitable heat of summer already making itself at home, there’s few options so tempting as to roll down the windows and embrace the enthusiastic nostalgia of melodic rock brought by the uplifting graces of Tokyo Motor Fist and the vibrant charm of their latest album. “Lions” is so sweet and smooth that listening to it feels almost like a guilty indulgence, something that one would sneak a taste of alone in the kitchen by the blue light of an open fridge. There’s something raw and authentic about it that makes it instantly irresistible for fans of melodic hard rock at any point from the 80s to the present. Tokyo Motor Fist have captured the most decadent tones of melodic rock and are releasing a bright ray of sonic sunshine in a world that certainly needs that pure brand of brightness…

Art Blakey and Jazz Messengers - Heat Wave (1977) {Meldac Japan MECJ-30010 rel 1995}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 385 Mb | MP3 @320 -> 148 Mb
Full Artwork @ 300 dpi (jpg) -> 29 Mb | 5% repair rar
© 1977, 1995 Meldac Japan | MECJ-30010
Jazz / Hard Bop

These red hot live performances by Art Blakey and the Jazz Messengers – recorded in 1977 in San Fransisco – are evidence that the hard-bop school of Blakey was alive and well in arguably the darkest time for the straight ahead jazz musicians. The "fusion" music was taking the attention – and audiences – away from this kind of music, and we had to wait a few more years before its resurgence and emergence of young lions such as Wynton and Branford Marsalis.

This album, issued in the wake of the stir caused by the Young Lions compilation album on Elektra Musician, is a first-rate mix of originals and standards beautifully executed by a group of studio players who include brothers Robin Eubanks on trombone, Charles on acoustic piano, and David on bass along with tenor saxophonist Ralph Moore and drummer Ronnie Burrage. Eubanks' choice of covers is brave; from Thelonious Monk's "Evidence" and Miles Davis' "Blue in Green" to Wes Montgomery's "The Thumb" and Jerome Kern's "Yesterdays," he offers not only chops, but a keen ear for nuance and subtlety. The treatment of Monk's "Evidence" is particularly satisfying for retaining the pianist/composer's angles without sacrificing the swing quotient.