Lisa J Springsteel

Dans ce témoignage poignant, Lisa Niemi-Swayze nous livre sans détours le quotidien de son combat acharné contre la maladie et la mort. Elle parle avec une sincérité déchirante de la douleur du deuil, de la difficulté de se reconstruire, mais aussi du pouvoir de guérison que l'on découvre jour après jour au plus profond de soi. Un hymne à l'amour et à la force vitale de l'esprit humain. …

Dans ce témoignage poignant, Lisa Niemi-Swayze nous livre sans détours le quotidien de son combat acharné contre la maladie et la mort. Elle parle avec une sincérité déchirante de la douleur du deuil, de la difficulté de se reconstruire, mais aussi du pouvoir de guérison que l'on découvre jour après jour au plus profond de soi. Un hymne à l'amour et à la force vitale de l'esprit humain. …

The Amsterdam Baroque Orchestra & Choir (= ABO&C), founded in 1979 by Ton Koopman, are a group of musicians from all over the world, with a particular passion for the Baroque. About seven times a year they get together to perform live and make CD-recordings under the inspired direction of Ton Koopman...

The Bach Cantatas Website

Rien n'est plus dangereux qu'une personne qui ment avec sincérité. …

34 songs from the famous Songs of the Hebrides collection by Marjory Kennedy-Fraser published in the early years of this century. There are some extraordinarily beautiful songs here (Ernest Newman wrote of them that Schubert and Hugo Wolf would have knelt and kissed the hands of their unknown composers). The most famous song in the collection is the Eriskay Love Lilt but several of the others will be familiar to anybody who has bought our Bantock recordings: Sea Longing was the inspiration for the slow movement of the Celtic Symphony, and Kishmul's Galley is the tune blazed out by the Royal Philharmonic horns at the end of the Hebridean Symphony.

After the success of Gladiator, it wasn't unusual to see director Ridley Scott turn to Hans Zimmer again for the score to Black Hawk Down, his fierce adaptation of Mark Bowden's account of the tragic 1993 American military intervention in Somalia. What was more surprising was the schedule Scott imposed on the German-born composer: 15 days to write, arrange, and record the film's nearly two hours of music. The results of Zimmer's miraculous two-week musical campaign not only belie those constraints; they instantly take their place alongside The Thin Red Line as some of the most compelling music he's produced. The gambit here is simple–portray the combatants as two warring tribes, with their native musics locked in a tense dance for domination.