Reissue with the latest remastering. Comes with liner notes. A double-length, ultra-cool set from saxophonist Phil Woods – yet another aspect of his great body of work from the 70s, and a live date that features Woods at the head of a sextet! The group here features acoustic piano, electric guitar, bass, drums, and percussion – all used in ways that are often a bit more organically building and spacious than some of Phil's more intense Rhythm Machine albums – showing a new sensitivity in Woods' music, but one that still has plenty of room for searing, searching solo moments! Titles include "Django's Castle", "A Little Peace", "Brazilian Affair", "I'm Late", "Superwoman", "High Clouds", "How's Your Mama", and "Rain Danse".
Terrific, limited edition box set collecting all the recordings made by this one of a like group of superstar musicians including: Art Farmer, Phil Woods, Zoot Sims, Curtis Fuller, Phil Woods, Freddie Hubbard, Benny Golson, Art Blakey, and Hank Jones. The set includes 5 CDs covering all of his 1959-60 studio and 1961 live Mercury sessions, as well as an earlier set from 1956 for ABC-Paramount and a 1961 date for Impulse. Also includes an exhaustive essay by Brian Priestley and a complete discography, as well as many rare photographs by Chuck Stewart.
Quincy Jones' original big band toured Europe under stressful conditions in 1960 before returning home. In 1961, they returned for a tour, and although the personnel had changed a bit, it was still a mighty orchestra. This album of music from a Zurich, Switzerland concert has six selections, including a 14-minute version of "Stolen Moments" and a nine-minute Phil Woods original, "Banjaluka," along with four other pieces. Among the key soloists are trumpeter Freddie Hubbard, Eric Dixon and Budd Johnson on tenors, altoist Woods, trumpeter Benny Bailey (featured on "Moanin'") and trombonist Curtis Fuller. Fine straight-ahead music from a short-lived but significant jazz orchestra.
Pianist/composer Thelonious Monk led a quartet throughout the 1960s but on a European tour in 1967 his group was expanded with the addition of several top horn players. This CD, which contains all of the music from a Paris concert, features Monk with his regular tenor Charlie Rouse, bassist Larry Gales and drummer Ben Riley on a couple of songs, adds trumpeter Ray Copeland to make the band a quintet and for a few numbers they are joined by trombonist Jimmy Cleveland, altoist Phil Woods and tenor-saxophonist Johnny Griffin; in addition flugelhornist Clark Terry sits in and stars on "Blue Monk." Monk had only recorded with this large a group on two prior occasions, making this rare recording a historical curiosity; more importantly the music (six of his originals) is excellent.
The studio and live recording sessions that Thelonious Monk cut during his six-year stay at the Riverside label are compiled over the 15 discs in the Complete Riverside Recordings. This middle era – between his early sides for Prestige and the final ones for Columbia – is generally considered Monk's most ingenious and creative period. The sessions are presented in chronological order, accurately charting the progression and diversions of one of the most genuinely enigmatic figures in popular music. The Complete Riverside Recordings explores Monk's genius with a certain degree of real-time analysis that simply listening to each of the individual albums from this era lacks.