Livia Rev

Daniel Barenboim - Mendelssohn: Lieder ohne Worte (1979/2018) [Official Digital Download 24/96]

Daniel Barenboim - Mendelssohn: Lieder ohne Worte (1979/2018)
FLAC (tracks) 24-bit/96 kHz | Time - 131:58 minutes | 2.03 GB
Studio Master, Official Digital Download | Artwork: Front Cover

When in 1973 the 22-year-old Daniel Adni first recorded the Songs without Words (as part of a three-LP Mendelssohn recital) he had the field to himself. Nowadays things are rather different, with notable competition coming from the searching Livia Rev, and in sharper contrast, the volatile Daniel Barenboim, whose characterization does yet more to emphasize the variety of the set as a whole.
Anna Wierer & Alina Pronina - Tchesnokov: Tales without Words, Music for Flute and Piano (2021)

Anna Wierer & Alina Pronina - Tchesnokov: Tales without Words, Music for Flute and Piano (2021)
WEB FLAC (tracks) - 196 Mb | MP3 CBR 320 kbps - 146 Mb | 01:02:02
Classical | Label: Brilliant Classics

This album features the complete works for flute (to date) by Franco-Ukranian composer Dimitri Tchesnokov (b.1982), with the exception of his flute trio Tableaux feìeìriques. This programme is supplemented by some of Tchesnokov’s piano solos in a comparable style. The pieces presented here offer a contrast to the composer’s religious/mystical music (3 Chants sacreìs, Requiem, Ave Verum) and his historic/realistic works (Symphonie archaïque, Château de Grandval, Symphonie Ukrainienne).
Anna Wierer & Alina Pronina - Tchesnokov: Tales without Words, Music for Flute and Piano (2021) [Official Digital Download]

Anna Wierer & Alina Pronina - Tchesnokov: Tales without Words, Music for Flute and Piano (2021)
FLAC (tracks) 24-bit/44,1 kHz | Front Cover | Time - 62:02 minutes | 505 MB
Classical | Label: Brilliant Classics, Official Digital Download

This album features the complete works for flute (to date) by Franco-Ukranian composer Dimitri Tchesnokov (b.1982), with the exception of his flute trio Tableaux feìeìriques. This programme is supplemented by some of Tchesnokov’s piano solos in a comparable style. The pieces presented here offer a contrast to the composer’s religious/mystical music (3 Chants sacreìs, Requiem, Ave Verum) and his historic/realistic works (Symphonie archaïque, Château de Grandval, Symphonie Ukrainienne).