Lizzie Thomas Easy To Love (2013)

The diversity and brilliance of each selection is realized in these passionate performances that will sweep the listener off their feet. David Wilson has been recording Great American Standards for several years. On this project he offers his renditions of some of Cole Porter's best songs. David Wilson lives and works in the Los Angeles area. His recordings have been generating an ever increasing fan base.

It's easy to love the piano of Steve Kuhn - even without the album's cover image of a model exposing herself by the side of a freeway! Kuhn's keys have a lot more class than warrants the cover - and from the very first note of the set, you'll be transported away from thinking about that image, and caught in rapt attention to Steve's warm tones on the piano.

Easy to Love is a most appropriate title for the recording debut of vocalist Kate McGarry. Right from the voice-bass intro on “My Heart Stood Still”, you know that this is to be no run-of-the-mill progam. An immediate reaction may be to notice the exceptional diction and enunciation and the distinctive phrasing that McGarry demonstrates. It's not surprising to learn that her greatest influences have been such unique stylists as Jon Hendricks, Betty Carter, and Mark Murphy, as well as the great lady of jazz vocals, Ella Fitzgerald.

Roberta Gambarini was a virtual unknown outside of Europe before coming to the United States and dazzling both seasoned jazz musicians and critics alike. Under the wing of Benny Carter for several years prior to his death in 2003, the Italian singer with an expressive, clear, and consistently swinging vocal style has seen her reputation spread widely, culminating in this initial American release.

Easy to Love is a most appropriate title for the recording debut of vocalist Kate McGarry. Right from the voice-bass intro on “My Heart Stood Still”, you know that this is to be no run-of-the-mill progam. An immediate reaction may be to notice the exceptional diction and enunciation and the distinctive phrasing that McGarry demonstrates. It's not surprising to learn that her greatest influences have been such unique stylists as Jon Hendricks, Betty Carter, and Mark Murphy, as well as the great lady of jazz vocals, Ella Fitzgerald.

Hitchcock made his first recordings, in 1961, for Don Law at Columbia Records but failed to gain his first chart entries, ‘She’s Looking Good’ and ‘Rings’, until he moved to the Epic label in 1967. (He was seemingly the first country singer on that label). After two more minor hits, he made the Top 17 with ‘Honey I’m Home’ (his biggest hit) in 1969. After ‘Call Me Gone’ the next year, he did just that and departed to GRT, where he managed only two Top 60 entries before, in 1973 and 1974, achieving three minor hits on Cinnamon. In 1978, he moved labels again to MMI, where he managed to chart ‘Falling’ (number 100) and a duet with Sue Richards, ‘Finders Keepers Losers Weepers’ (number 85). His final chart entry, ‘She Sings Amazing Grace’, arrived in 1981 on the Ramblin’ label but he later recorded an album for Audiograph Alive.

Carol feels, for whatever reason, that her husband, John, has grown indifferent to her, and is on a quest to find out why, suspecting another woman. She sees the family physician, Dr. Swope, first and then hires a private detective. Her own sleuthing is more effective and she devises a plan; having long been pursued by Eric, she apparently accedes and accompanies him to an apartment and, per her plan, enter the wrong one. There, they find Carol's best friend, Charlotte, and John hiding in a closet. The latter, showing more nerve than good sense, goes into a rage and berates Carol for her apparent philandering. The battle continues at home, where their daughter Janet informs them that because of them, she and Paul have given up on the idea of marriage, but are going away together, anyway. Carol and John trail them to a hotel and find them in twin beds, whereupon John, armed with a fire-ax, summons a justice of the peace and demands a fire-ax version of a shotgun wedding.

Easy to Love is a most appropriate title for the recording debut of vocalist Kate McGarry. Right from the voice-bass intro on “My Heart Stood Still”, you know that this is to be no run-of-the-mill progam. An immediate reaction may be to notice the exceptional diction and enunciation and the distinctive phrasing that McGarry demonstrates. It's not surprising to learn that her greatest influences have been such unique stylists as Jon Hendricks, Betty Carter, and Mark Murphy, as well as the great lady of jazz vocals, Ella Fitzgerald.