Loma How Will I Live Without a Body?

Following two huge Top 10 records and sold out shows across the globe, one of the UK’s most exciting bands, The Amazons, release their stratospheric, anthem-packed new album How Will I Know If Heaven Will Find Me? - on Fiction Records.

The Will to Live was produced by Titus Andronicus singer-songwriter Patrick Stickles and Canadian icon Howard Bilerman (Arcade Fire, Leonard Cohen, The Whole Nine Yards) at the latter’s Hotel 2 Tango recording studio in Montreal. Drawing on maximalist rock epics from Who’s Next to Hysteria, Bilerman and Stickles have crafted the richest, densest, and hardest hitting sound for Titus Andronicus yet. All at once, the record matches the sprawl and scope of the band’s most celebrated work, while also honing their ambitious attack to greater effect than ever before. “It may strike some as ironic we had to go to Canada to record our equivalent to Born in the USA,” quips Stickles, “but the pursuit of Ultimate Rock knows no borders.”

The man is a cult. His face is somehow reminiscent of the multiple villain Steve Buscemi. Otherwise the mighty Dr. Seems to have sprung from a weird western jingle comedy in red suit and top hat. A shakes-peare-tarantino charlatan? But no, this whole hammer show is real. The guy is real, a real entertainer & gentleman. A wonder doctor walking through heaven and hell. Of course, all public patients are healed, the evil spirits are awakened and hunted to hell.

Ai Shinohara just released August 22nd with the latest work "To The End Of This World" which co-starred with the up-and-coming creators. A dream team by her and Will Lee and Steve Gadd returned to Blue Note Tokyo after a year and three months. For Sugawara, Will and Gadd have been super heroes since she opened her eyes on jazz and fusion when she was in elementary school. I was fascinated by their performance hundreds of times with records, CDs, videos, live, etc. I dreamed that I could play with them someday. That was the first time in February 2017. This live, in addition to the numbers from the commemorative album 'Somehow, Someday, Somewhere', is a stage more than the last time from the last time to the original written down and the cover song surprisingly surprised.

In 1994, Whitney Houston took the stage in Durban, South Africa, making her the first major Western musician to visit the newly unified, post-apartheid nation following President Nelson Mandela's winning election. Three decades later, this landmark performance is now available on CD and vinyl for the first time ever.

Ahead of the highly anticipated release of “Whitney Houston: I Wanna Dance with Somebody” in movie theaters on December 23rd, the film’s corresponding soundtrack “I Wanna Dance with Somebody – The Movie: Whitney New, Classic and Reimagined,” will be released tomorrow December 16th via RCA Records.

The Art in Music – Siggi Loch has had the clear objective to foster creative interaction between jazz and visual art ever since he founded ACT in 1992. As a producer who is also an art collector, he loves to bring not only topflight musicians together around him, but visual artists as well. Works by Philip Taaffe, Gerhard Richter, Martin Noël, Martin Assig and many more don’t just adorn album covers, they are also on display at the ACT Gallery in Berlin.

Formed in Los Angeles in 1981, the seminal indie rock band The Dream Syndicate was founded by current members Steve Wynn and Dennis Duck. With its widely celebrated 1982 debut "The Days of Wine and Roses", the band soon emerged at the forefront of the 1980s college-rock scene. "How Did I Find Myself Here?" is the band's fifth studio album, their first since 1988. This reunion album comes across like vintage Dream Syndicate, but with a 100% 2017 sound. A sonic upgrade which will enrapture early fans and allow new ones an easy taste of this uncompromising and venomous rock'n'roll.

For many serious jazz fans, no pianist has ever approached the technical mastery of Art Tatum, though his virtuoso skills usually meant he was at his best unaccompanied. Many of his recordings from the 1930s and '40s were limited by the deficiencies of recording methods at the time. Zenph Studios decided to use 21st century computer technology to re-create this album, both the 1933 studio session and the famous 1949 concert…