Lorenzo Senni

‘Scacco Matto’ is a continuation of Senni’s distinctive “pointillistic” style - where gated, taut sounds are arranged relentlessly as drumless rhythms and melody, which this time come in more song based structures. On this bold sonic ‘Rave-Voyeuristic’ statement, he takes the synthetic synapse manipulation of Trance and Computer Music, but intentionally encourages short circuits, resulting in unexpected signal paths moving in different directions, and making new fascinating shapes.

Caterina Barbieri somehow recalls both Laurie Spiegel and Lorenzo Senni on her staggering debut album for Editions Mego, with ‘Ecstatic Computation’ yielding her most striking and accessible experiments in pointedly explorative synthesis.

0PN’s Cannes Award ’17-winning OST for Good Time - a soon come crime thriller by NYC’s Sadie brothers - unfurls in all its future-classic glory on Warp to coincide with the film’s release date. Adding to Daniel Lopatin aka 0PN's increasingly impressive soundtrack portfolio - now counting four major films since work on 2013’s Bling Ring (although IMDB has some prior credits) - this one is arguably his most refined and memorable from first impressions. It appears that before the film was even started he’d established a symbiotic relationship with the directors, sharing their vision of how the music would inspire, score and relate to their visual aspect.