Los Panchos – Con Éxitos de Manzanero (1990)

Los Indios Tabajaras (The Tabajara Indians) was a guitar duo of two brothers, Antenor Lima and Natalicio (Nato) Lima, from Tianguá, Ceará in the Northeast of Brazil. The group name refers to the Tabajara, indigenous people who lived on the easternmost portion of the Atlantic coast of northeast Brazil in the period before and during Portuguese colonization, in the 16th century…

« Pour le mélomane d’aujourd’hui, ces Sonates de l’Oeuvre III, élégantes comme un conte de Diderot, une toile de Boucher ou une « folie » en style rocaille des environs de Paris, demeurent un précieux témoignage du goût d’un public esthète et exigeant qui, ne l’oublions pas, faisait l’admiration et l’envie de la plupart des cours d’Europe. » (Christophe Rousset)

Pretty nice tribal ambient. Not busy to the point of calling too much attention but not spacey enough to be boring. And the best thing: Not as cheesy as other tribal stuff.
This enigmatic multi-instrumentalist draws from the diverse culture and history of his Mexican homeland, as well as his early experiences playing in progressive-rock bands south of the border. Reyes combines flute, pre-Columbian instruments, and percussion with synthesizers and voice to cast a spell of ritualistic intensity. Like shadows from Mexico's sultry and savage past, his music has a dark quality to it that sometimes scares off the unprepared, but adventurous listeners will find plenty to admire in his evocation of jungles, jaguars, and Aztec rites.

Los Panchos Pistolas es una banda Limeña de Rock clásico del distrito de SJM que desde sus inicios en Enero del 2012, se caracterizó por su estilo único y desenfadado de rock retro y clásico, su particular sonido de garage y su peculiar dominio de escena durante cada presentación.

Gilda (Miriam Alejandra Bianchi) was an Argentine singer and songwriter. She was the most successful tropical singer of the 90's in Argentina. Gilda started getting involved in music while organizing festivals at a Catholic school. After meeting musician Tito Giménez, the teacher became a backup singer, joining a band called la Barra and soon participating in a second project named Crema Americana. In 1993, Giménez convinced her to start a solo career, recording De Corazón A Corazón after signing up to local label Magenta. The following year, "La Única" featuring the hit "Corazón Herido" and "La Puerta" was released. In 1995, Pasito A Pasito came out, getting the hit and one of her most popular songs "No Me Arrepiento De Este Amor."