Jazz has always had a certain fascination for the moon. After love, it is one of the more common topics for jazz standards, and for Nils Landgren is no exception. For some time he has planned a ballad album as a sequel to his highly successful "Sentimental Journey", which according to the newspaper Die Welt "stole the hearts of the audience".
These songs include jazz standards, such as Henry Mancini’s "Moon River" or Herbie Hancock’s "Stars in Your Eyes", as well as folk and pop songs like Kris Kristofferson’s "Please Don’t Tell Me How The Story Ends" or "Moonshadow" by Cat Stevens, and he also includes South American song by Kurt Weill called "Holofotes" alongside his own compositions. As such, "The Moon, the Stars and You" has grown into a concept album with a whole spectrum of different moods - meditative, longing, occasionally funky yet continuously inspired and swinging.
The powers that be at Alligator were subjected to a fair amount of criticism for taking a 1977 album of standards that Otis Rush had cut in Sweden and overdubbing Lucky Peterson's keyboards to make the thing sound fuller and more contemporary. History, after all, should not be messed with. But it's still a reasonably successful enterprise, with Rush imparting his own intense twist to "I Miss You So," "You Don't Have to Go," and "Little Red Rooster."
This vocal quartet originally started life as an extension of jazz band the Hi-Lo’s. From that prominent '50s band came Don Shelton, who decided to form Singers Unlimited after the Hi-Lo’s broke up in 1964. After retreating to Chicago, Illinois, where he worked on a series of television commercials, he enlisted fellow Hi-Lo’s veteran Gene Puerling of Milwaukee, Wisconsin, to join him in the city in 1967. The group was formed along with Len Dresslar and Bonnie Herman, with the express intention of recording commercials in the doo wop/vocal group idiom. Shelton’s connections in the industry ensured the group was able to exploit the market successfully, and lucrative work rolled in. However, the 30-second snatches of songs hardly satisfied their artistic ambitions, and when they found themselves with studio time left over after one session, they recorded a take on the Beatles' "The Fool on the Hill." Through visiting jazz pianist Oscar Peterson, the demo of the a cappella recording was passed to MPS Records in Germany.
Bennett, whose recorded legacy has been gathered in a 76-disc boxed set titled The Compete Collection, has been doing that for over 60 years: saving our souls with the greatest songs ever written. The Complete box is an absolute necessity, first because it contains several previously unreleased albums, like On the Glory Road and From This Moment On, a live concert taped in Las Vegas that collectors have been salivating over since 1964.
Joel Schumacher's 1987 film The Lost Boys capitalized on a temporary lull in horror movies in the late '80s and created a heavily music-video-influenced vampire homage with enough campy humor, heavy metal costumes, and hunky stars to put a fresh spin on the genre. An amusing piece of eye candy spiked by a few creepy moments, the movie, in typical '80s style, relies heavily on the soundtrack to bolster its emotional core. The soundtrack, like the film, works great on the surface – but don't go much deeper. A mix of covers and bombastic '80s pop originals, the songs work best when they concentrate on the horror factor. Echo & the Bunnymen turn in an excellent cover of the Doors' "People Are Strange" that has a bouncier, more melodic touch than the original. Jimmy Barnes and INXS' "Good Times" is an energetic rocker used to personify the party-hardy SoCal atmosphere of the film. The strongest song is the movie's theme, "Cry Little Sister," a goth-influenced midtempo ballad.
Every Sheila Jordan recording is special, for the singer is quite unique and puts plenty of feeling and creativity into each performance. Joined by pianist Kenny Barron, bassist Harvie Swartz and drummer Ben Riley for this CD, Jordan uplifts and reinvents such standards as "The Very Thought of You," "Anthropology" and "I Concentrate on You," making each rendition seem fresh and new.